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Foreword | ||
Preface | ||
Acknowledgments | ||
1 | Getting into the Act | 1 |
2 | Dealing with the Script | 11 |
3 | Prior to Principal Photography | 43 |
4 | A Day on a Movie Set | 53 |
5 | Camera Rehearsals | 63 |
6 | The Slating Syndrome | 71 |
7 | Getting the Scene on Film | 85 |
8 | Timing Is of the Essence | 95 |
9 | "That's a Wrap!" | 103 |
10 | Continuity Script to the Editor | 113 |
11 | Dynamics of the Camera | 133 |
12 | The Concept of Coverage | 157 |
13 | The Mastery of Matching | 175 |
14 | Second Unit Filming | 187 |
15 | Filming for Television | 189 |
16 | Film Language | 193 |
App. A | Abbreviations for Shot Descriptions | 213 |
App. B | Conversions | 215 |
App. C: Sample Forms | 219 | |
Index | 229 |
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Add Script Supervising and Film Continuity, Covers all of the aspects of this vital function, including liaison with the director, editor, lab, producer and actors. Covers all of the aspects of this vital function, including liaison with the director, editor, lab, produ, Script Supervising and Film Continuity to the inventory that you are selling on WonderClubX
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Add Script Supervising and Film Continuity, Covers all of the aspects of this vital function, including liaison with the director, editor, lab, producer and actors. Covers all of the aspects of this vital function, including liaison with the director, editor, lab, produ, Script Supervising and Film Continuity to your collection on WonderClub |