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Book Categories |
Introduction : the allegorical moment | 1 | |
Ch. 1 | France | |
History without a face : surrealism, modernity, and the Holocaust in the cinema of Georges Franju | 17 | |
Ch. 2 | Britain | |
"Direct emotional realism" : the people's war, classlessness, and Michael Powell's Peeping Tom | 55 | |
Ch. 3 | Japan | |
Unmasking Hiroshima : demons, human beings, and Shindo Kaneto's Onibaba | 83 | |
Ch. 4 | United States | |
"Only a movie" : specters of Vietnam in Wes Craven's Last house on the left | 111 | |
Ch. 5 | Canada | |
Trauma and nation made flesh : David Cronenberg and the foundations of the allegorical moment | 145 | |
Afterword : 9/11/01, 8/6/45, Ground Zero | 177 |
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Add Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film, In this imaginative new work, Adam Lowenstein explores the ways in which a group of groundbreaking horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War. Lowenstein centers Shocking Represen, Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film to the inventory that you are selling on WonderClubX
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Add Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film, In this imaginative new work, Adam Lowenstein explores the ways in which a group of groundbreaking horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War. Lowenstein centers Shocking Represen, Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film to your collection on WonderClub |