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Preface: Sandip RayForeword: Shyam Benegal
PART ONE: THE FILM-MAKER'S CRAFT
1. National Styles in Cinema 2. Notes on Filming Bibhuti Bhusan 3. Should a Film-maker Be Original?4. This Word 'Technique'5. All These Devices 6. The Changing Face of Films 7. The Question of Reality 8. The Confronting Question 9. A Film Must Achieve Its Objective 10. Thoughts on the Camera11. 'I Wish I Could Have Shown Them to You'12. The New Cinema and I13. Under Western Eyes14. The Art of Silence
PART TWO: PEN PORTRAITS15. A Word about Godard 16. The New Antonioni17. The Nayak 18. 'Never Use Animals'19. The Immortal Tramp
PART THREE: CELEBRATING CINEMA20. Arrival in Moscow 21. Film Festivals 22. Our Festivals, Their Festivals
FilmographySatyajit Ray's Contributions to Films Other Than His OwnAwards won by Satyajit RayIndexPreserving a Legacy
Columbia University Press
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Add Satyajit Ray on Cinema, Satyajit Ray, one of the greatest auteurs of twentieth century cinema, was a Bengali motion-picture director, writer, and illustrator who set a new standard for Indian cinema with his Apu Trilogy: Pather Panchali (Song of the Little Road) (1955), <, Satyajit Ray on Cinema to the inventory that you are selling on WonderClubX
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Add Satyajit Ray on Cinema, Satyajit Ray, one of the greatest auteurs of twentieth century cinema, was a Bengali motion-picture director, writer, and illustrator who set a new standard for Indian cinema with his Apu Trilogy: Pather Panchali (Song of the Little Road) (1955), <, Satyajit Ray on Cinema to your collection on WonderClub |