Interrogating America through Theatre and Performance (Palgrave Studies in Theatre and Perfo... Book

The Savage Other: "Indianizing" and Performance in Nineteenth-Century American Culture—Rosemarie K. Bank
• Defining Faith: Theatrical Reactions to Pro-Slavery Christianity in Antebellum America—Amy E. Hughes
• Negotiating a New Identity: Irish-Americans and the Variety Theatre in the 1860s—Susan Kattwinkel
• Drama and Cultural Pluralism In the America of Susan Glaspell’s Inheritors.—Noelia Hernando Real
• Beneath the Horizon: Pipe Dreams, Identity, and Capital in Eugene O’Neill’s First Broadway Play—Jeffrey Eric Jenkins
• Vernacularizing Brecht: The Political Theater of the New Deal—Ilka Saal
• Let Freedom Ring: Mordecai Gorelik’s Politicized Stage Designs—Anne Fletcher
• Choreographing America: Re-defining American Ballet in the Age of Consensus—Andrea Harris
• Arthur Miller: In Memoriam—Christopher Bigsby
• Menageries, Melting Pots, Movies: Tennessee on America—Janet V. Haedicke
• Facts on Trial: Documentary Theatre and Zoot Suit—Jacqueline O’Connor
• "The Ground on Which I Stand is I, Too, Am America": African American Cycle Dramatists, Dramas and the Voice of Inclusion—Ladrica Menson-Furr
• My Uncle Sam in Consumer Society: Len Jenkin and the Death of Death of a Salesman—Steve Feffer
• From Paradise to Parasite: Information Theory, Noise, and Disequilibrium in John Guare’s Six Degrees of Separation—Michael Vanden Heuvel
• "Not Very Steven Spielberg"?: Angels in America on Film—Deborah R. Geis
• Reflections in a Pool: Mary Zimmerman’s Metamorphoses and post-9/11 New York City—Andrea Nouryeh
• An American Echo: Suzan-Lori Parks's The America Play and James Scruggs's Disposable Men—Robert Vorlicky