|
|
Sold Out
Book Categories |
Introduction: Metaphor and Social Subjectivity PART I: ALTERNATIVE CLEOPATRAS Renaissance Cleopatras English Cleopatra in the 1590s: The Queen’s Body Shakespeare’s Cleopatra PART II: KENT AND SYNECDOCHAL NATIVE IDENTITY Commonplace Kent Rebellious Kent: Historical Reiteration of Opposition Kent in Lear: Personification and Conflicted Identity PART III: ENGLISH CHRISTENDOM: METONYMY AND METALEPSIS Championing Christendom: Current Affairs, Romance and Epic Jacobean Christendom
Cymbeline: On the Edge of Christendom Bibliography Index
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Login|Complaints|Blog|Games|Digital Media|Souls|Obituary|Contact Us|FAQ
CAN'T FIND WHAT YOU'RE LOOKING FOR? CLICK HERE!!! X
You must be logged in to add to WishlistX
This item is in your Wish List
X
This item is in your Collection
Foreign and Native on the English Stage, 1588-1611: Metaphor and National Identity
X
This Item is in Your Inventory
Foreign and Native on the English Stage, 1588-1611: Metaphor and National Identity
X
You must be logged in to review the productsX
X
X
Add Foreign and Native on the English Stage, 1588-1611: Metaphor and National Identity, This original and scholarly work uses three detailed case studies of plays – Shakespeare's Antony and Cleopatra, King Lear and Cymbeline – to cast light on the ways in which early modern writers used metaphor to explore how ident, Foreign and Native on the English Stage, 1588-1611: Metaphor and National Identity to the inventory that you are selling on WonderClubX
X
Add Foreign and Native on the English Stage, 1588-1611: Metaphor and National Identity, This original and scholarly work uses three detailed case studies of plays – Shakespeare's Antony and Cleopatra, King Lear and Cymbeline – to cast light on the ways in which early modern writers used metaphor to explore how ident, Foreign and Native on the English Stage, 1588-1611: Metaphor and National Identity to your collection on WonderClub |