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Acknowledgements Introduction: European Aestheticism and Spanish American Modernismo: Re-Defining the Role of Art and the Artist at the Turn of the Century PART I: THE ARTIST AVOIDS 'ART FOR LIFE'S SAKE'
The Artist as Critic and Liar, the Unreal and Amoral as Art in Oscar Wilde The Artist as Creative Receptor, the Subjective Impression as Art in José Asunción Silva PART II: THE ARTIST PROTESTS "ART FOR THE MARKET'S SAKE"
The Artist as Elitist Taster, the Unprofaned and Unconsumed as Art in J.-K. Huysmans
The Artist as Creator not Producer, the Unsold and Unappreciated as Art in Rubén Darío PART III: THE ARTIST PROMOTES 'LIFE FOR ART'S SAKE'
The Artist as Dandy-Aesthete, the Self as Art in Oscar Wilde and Thomas Mann
The Artist as Dandy-Flâneur, the World as Art in Manuel Gutiérrez Nájera and Julián de Casal Notes Works Cited Index
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Add European Aestheticism & Spanish American Modernismo: Artist Protagonists & the Philosophy of Art for Art's Sake, Locating a shared interest in the philosophy of art for art's sake in aestheticism and modernismo, this study examines the changing role of art and artist during the turn-of-the-century period, offering a consideration of the multiple dichot, European Aestheticism and Spanish American Modernismo: Artist Protagonists and the Philosophy of Art for Art's Sake to the inventory that you are selling on WonderClubX
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Add European Aestheticism & Spanish American Modernismo: Artist Protagonists & the Philosophy of Art for Art's Sake, Locating a shared interest in the philosophy of art for art's sake in aestheticism and modernismo, this study examines the changing role of art and artist during the turn-of-the-century period, offering a consideration of the multiple dichot, European Aestheticism and Spanish American Modernismo: Artist Protagonists and the Philosophy of Art for Art's Sake to your collection on WonderClub |