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List of Illustrations ix
Acknowledgments xi
Introduction Against Uplift: Performance, Literature, and the Queer Harlem Renaissance 1
Chapter One American Cabaret Performance and the Production of Intimacy 39
Chapter Two The Scene of Harlem Cabaret: 1926 and After 74
Chapter Three Closing Time: Langston Hughes and the Queer Poetics of Harlem Nightlife 104
Chapter Four Rereading Du Bois Reading McKay: Uplift Sociology and the Problem of Amusement 132
Chapter Five Lena Horne's Impersona 167
Afterword Irrealizing the Queer Harlem Renaissance 194
Notes 203
Bibliography 227
Index 245
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Doyle Brown
reviewed The Scene of Harlem Cabaret: Race, Sexuality, Performance on September 26, 2020
The Scene of Harlem Cabaret: Race, Sexuality, Performance
Very interesting ideas. Dense reading.
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Add The Scene of Harlem Cabaret: Race, Sexuality, Performance, Harlem's nightclubs in the 1920s and '30s were a crucial location for testing society's racial and sexual limits. Normally tacit divisions were made spectacularly public in the vibrant, but often fraught, relationship between performer and audience. These, The Scene of Harlem Cabaret: Race, Sexuality, Performance to the inventory that you are selling on WonderClubX
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Add The Scene of Harlem Cabaret: Race, Sexuality, Performance, Harlem's nightclubs in the 1920s and '30s were a crucial location for testing society's racial and sexual limits. Normally tacit divisions were made spectacularly public in the vibrant, but often fraught, relationship between performer and audience. These, The Scene of Harlem Cabaret: Race, Sexuality, Performance to your collection on WonderClub |
