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Introduction | 1 | |
1 | Scaling the Cathedral: Bourges in John Bargrave's Travel Journal for 1645 | 15 |
2 | Retrieving the Past, Inventing the Memorable: Huang Yi's Visit to the Song-Luo Monuments | 37 |
3 | Tourists, Terrorists, and Metaphysical Theater at Hagia Sophia | 59 |
4 | The Moving Landscape | 83 |
5 | Monumentality of Time: Giant Clocks, the Drum Tower, the Clock Tower | 107 |
6 | The Winter Garden and Virtual Heaven | 133 |
7 | The Keeping Place (Arising from an Incident on the Land) | 157 |
8 | Building a Marker of Nuclear Warning | 183 |
9 | Iconoclasm and the Preservation of Memory | 209 |
10 | Archaeology and the Monument: An Embattled Site of History and Memory in Contemporary India | 233 |
11 | Local Memory and National Aesthetics: Jean Pages's Early-Eighteenth-Century Description of the "Incomparable" Cathedral of Amiens | 259 |
12 | Settler Monuments, Indigenous Memory: Dis-membering and Re-membering Canadian Art History | 281 |
Epilogue: The Rhetoric of Monument Making: The World Trade Center | 305 | |
List of Contributors | 325 | |
Index | 327 |
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Add Monuments and Memory, Made and Unmade, How do some monuments become so socially powerful that people seek to destroy them? After ignoring monuments for years, why must we now commemorate public trauma, but not triumph, with a monument? To explore these and other questions, Robert S. Nelson and, Monuments and Memory, Made and Unmade to the inventory that you are selling on WonderClubX
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Add Monuments and Memory, Made and Unmade, How do some monuments become so socially powerful that people seek to destroy them? After ignoring monuments for years, why must we now commemorate public trauma, but not triumph, with a monument? To explore these and other questions, Robert S. Nelson and, Monuments and Memory, Made and Unmade to your collection on WonderClub |