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List of Illustrations Acknowledgments Abbreviations Introduction
Pt. 1: War Without the Gun: The Romance Tradition
1: The Tactics of Roncesvalles: Luigi Pulci
2: Arthur's Rise to Power: Sir Thomas Malory
3: Agramante's War: Matteo Maria Boiardo
Pt. 2: The Movement Into Realism and History
4: The Siege of Paris: Ludovico Ariosto, Torquato Tasso, and Alonso de Ercilla y Zuniga
5: The Problems History Makes for the Poet: Torquato Tasso
Pt. 3: The Gun, Or the New Technology
6: Negative Critiques: Ludovico Ariosto and John Milton
7: Positive Evaluations: Alonso de Ercilla y Zuniga and Luis Vaz de Camoes
8: The Heroic Few: Alonso de Ercilla y Zuniga and Gaspar Perez de Villagra
9: The Officers Take Over: Juan Rufo and Pedro de Ona
Pt. 4: Violence
10: Are There Limits to Violence?: Matteo Maria Boiardo, Torquato Tasso, and Alonso de Ercilla y Zuniga
11: Acoma: Gaspar Perez de Villagra
Pt. 5: The Epic Without War
12: The English: Sir Philip Sidney, Michael Drayton, and Samuel Daniel Appendixes Notes Bibliography Index
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Add History and warfare in Renaissance epic, Although the Renaissance epic was the principal literary means of representing war in its time, modern readers of the epic often lack a basic understanding of the history of warfare. Michael Murrin here offers the first analysis to bring an understanding , History and warfare in Renaissance epic to the inventory that you are selling on WonderClubX
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Add History and warfare in Renaissance epic, Although the Renaissance epic was the principal literary means of representing war in its time, modern readers of the epic often lack a basic understanding of the history of warfare. Michael Murrin here offers the first analysis to bring an understanding , History and warfare in Renaissance epic to your collection on WonderClub |