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Contents
List of Illustrations
Acknowledgments
Introduction Screening Crime in the USA An Undervalued Symbiosis
1
The Gangster's Silent Backdrop Contesting Victorian Uplift and the Culture of Prohibition
2
The Enemy Goes Public Voicing the Cultural Other in the Early 1930s Talking Gangster Film
3
Manhattan Melodrama's “Art of the Weak” Tactics of Survival and Dissent in the Post-Prohibition Gangster Film
4
Ganging Up against the Gangster Censorship, the Movies, and Cultural Transformation, 1915–1935
5
Crime, Inc. Beyond the Ghetto/Beyond the Majors in the Postwar Gangster Film
6
Screening Crime the Liberal Consensus Way Postwar Transformations in the Production Code
7
The “Un-American” Film Art Robert Siodmak, Fritz Lang, and the Political Significance of Film Noir's German Connection
Epilogue From Gangster to Gangsta Against a Certain Tendency of Film Theory and History
Appendix Production Code Administration Film Analysis Forms, 1934–1957
Bibliography
Film Index
Subject Index
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Add Public Enemies, Public Heroes: Screening the Gangster from Little Caesar to Touch of Evil, In this study of Hollywood gangster films, Jonathan Munby examines their controversial content and how it was subjected to continual moral and political censure. Beginning in the early 1930s, these films told compelling stories about ethnic urba, Public Enemies, Public Heroes: Screening the Gangster from Little Caesar to Touch of Evil to the inventory that you are selling on WonderClubX
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Add Public Enemies, Public Heroes: Screening the Gangster from Little Caesar to Touch of Evil, In this study of Hollywood gangster films, Jonathan Munby examines their controversial content and how it was subjected to continual moral and political censure. Beginning in the early 1930s, these films told compelling stories about ethnic urba, Public Enemies, Public Heroes: Screening the Gangster from Little Caesar to Touch of Evil to your collection on WonderClub |