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The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre Book

The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre
The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre, Part of a larger project to examine the Elizabethan politics of representation, Louis Montrose's <i>The Purpose of Playing</i> refigures the social and cultural context within which Elizabethan drama was created.
Montrose first locates the public and p, The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre has a rating of 3.5 stars
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The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre, Part of a larger project to examine the Elizabethan politics of representation, Louis Montrose's The Purpose of Playing refigures the social and cultural context within which Elizabethan drama was created. Montrose first locates the public and p, The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre
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  • The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre
  • Written by author Louis Adrian Montrose
  • Published by University of Chicago Press, June 1996
  • Part of a larger project to examine the Elizabethan politics of representation, Louis Montrose's The Purpose of Playing refigures the social and cultural context within which Elizabethan drama was created. Montrose first locates the public and p
  • Part of a larger project to examine the Elizabethan politics of representation, Louis Montrose's The Purpose of Playing refigures the social and cultural context within which Elizabethan drama was created.Montrose first locates the public and pr
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Book Categories

Authors

Acknowledgments
To The Reader
Prologue
Texts and Histories1
Pt. 1Drama, Theatre, Society, and the State: Form and Pressure
IThe Reformation of Playing19
IIA Theatre of Changes30
IIIAnatomies of Playing41
IVThe Theatre, the City, and the Crown53
VFrom the Stage to the State66
VIThe Power of Personation76
VIIThe Cross-Purposes of Playing99
Pt. 2The Shaping Fantasies of A Midsummer Night's Dream
VIIIThe Discord of This Concord109
IXStories of the Night124
XThe Imperial Votaress151
XIBottom's Dream179
Epilogue: A Kingdom of Shadows206
Index213


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The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre, Part of a larger project to examine the Elizabethan politics of representation, Louis Montrose's <i>The Purpose of Playing</i> refigures the social and cultural context within which Elizabethan drama was created.
Montrose first locates the public and p, The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre

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The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre, Part of a larger project to examine the Elizabethan politics of representation, Louis Montrose's <i>The Purpose of Playing</i> refigures the social and cultural context within which Elizabethan drama was created.
Montrose first locates the public and p, The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre

The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre

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The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre, Part of a larger project to examine the Elizabethan politics of representation, Louis Montrose's <i>The Purpose of Playing</i> refigures the social and cultural context within which Elizabethan drama was created.
Montrose first locates the public and p, The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre

The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre

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