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Acknowledgments | ||
To The Reader | ||
Prologue | ||
Texts and Histories | 1 | |
Pt. 1 | Drama, Theatre, Society, and the State: Form and Pressure | |
I | The Reformation of Playing | 19 |
II | A Theatre of Changes | 30 |
III | Anatomies of Playing | 41 |
IV | The Theatre, the City, and the Crown | 53 |
V | From the Stage to the State | 66 |
VI | The Power of Personation | 76 |
VII | The Cross-Purposes of Playing | 99 |
Pt. 2 | The Shaping Fantasies of A Midsummer Night's Dream | |
VIII | The Discord of This Concord | 109 |
IX | Stories of the Night | 124 |
X | The Imperial Votaress | 151 |
XI | Bottom's Dream | 179 |
Epilogue: A Kingdom of Shadows | 206 | |
Index | 213 |
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Add The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre, Part of a larger project to examine the Elizabethan politics of representation, Louis Montrose's The Purpose of Playing refigures the social and cultural context within which Elizabethan drama was created. Montrose first locates the public and p, The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre to the inventory that you are selling on WonderClubX
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Add The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre, Part of a larger project to examine the Elizabethan politics of representation, Louis Montrose's The Purpose of Playing refigures the social and cultural context within which Elizabethan drama was created. Montrose first locates the public and p, The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre to your collection on WonderClub |