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Acknowledgments | ||
A Word about Names | ||
The Principal Cast | ||
Prologue: Setting the Stage | 1 | |
Ch. 1 | Airing Dirty Laundry | 16 |
CH. 2 | The Genre Goes Hard-Core: A Brief History of Talk Shows and the Money Shot | 44 |
CH. 3 | Talk as Work: Routinizing the Production Process | 80 |
CH. 4 | Talk as Show (a Show of Emotion) | 114 |
CH. 5 | The Other Side of the Camera: Motives and Misgivings | 148 |
CH. 6 | Inside the Fun House | 176 |
CH. 7 | Will the Real Expert Please Stand Up? | 204 |
CH. 8 | Trash, Class, and Cultural Hierarchy | 242 |
Epilogue: Airing Another Kind of Dirty Laundry: Confessions of a Feminist Fieldworker | 275 | |
References | 289 | |
Index | 301 |
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Add The Money Shot: Trash, Class, and the Making of TV Talk Shows, He leaped from his chair, ripped off his microphone, and lunged at his ex-wife. Security guards rushed to intercept him. The audience screamed, then cheered. Were producers concerned? Not at all. They were getting what they wanted: the money shot. From, The Money Shot: Trash, Class, and the Making of TV Talk Shows to the inventory that you are selling on WonderClubX
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Add The Money Shot: Trash, Class, and the Making of TV Talk Shows, He leaped from his chair, ripped off his microphone, and lunged at his ex-wife. Security guards rushed to intercept him. The audience screamed, then cheered. Were producers concerned? Not at all. They were getting what they wanted: the money shot. From, The Money Shot: Trash, Class, and the Making of TV Talk Shows to your collection on WonderClub |