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Jewish Musical Modernism, Old and New Book

Jewish Musical Modernism, Old and New
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Jewish Musical Modernism, Old and New, Tackling the myriad issues raised by Sander Gilman's provocative opening salvo—Are Jews Musical?—this volume's distinguished contributors present a series of essays that trace the intersections of Jewish history and music from the late nineteenth centur, Jewish Musical Modernism, Old and New
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  • Jewish Musical Modernism, Old and New
  • Written by author Philip V. Bohlman
  • Published by University of Chicago Press, 11/15/2008
  • Tackling the myriad issues raised by Sander Gilman's provocative opening salvo—"Are Jews Musical?"—this volume's distinguished contributors present a series of essays that trace the intersections of Jewish history and music from the late nineteenth centur
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Contents
 
Foreword: Are Jews Musical? Historical Notes on the Question of Jewish Musical Modernism
            Sander L. Gilman
Acknowledgments
Introduction: The Transcendent Moment of Jewish Modernism
            Philip V. Bohlman
1. Multiple Modernisms? Episodes from the Sciences as Cultures, 1900–1945
            Mitchell G. Ash
2. Sephardic Fins des Siècles: The Liturgical Music of Vienna’s Türkisch-Israelitische Community on the Threshold of Modernity
            Edwin Seroussi
3. Jewish Music and German Science
            Pamela M. Potter
4. Echoes from beyond Europe: Music and the Beta Israel Transformation
            Kay Kaufman Shelemay
5. Charlotte Salomon’s Modernism
            Michael P. Steinberg
Epilogue: Beyond Jewish Modernism
            Philip V. Bohlman
 
Appendix 1. Moments musicaux et modernes: Jewish Modernism in Popular and Political Music: Accompanying CD by the New Budapest Orpheum Society   
Appendix 2. CD Texts and Translations
Contributors
Index


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Jewish Musical Modernism, Old and New, Tackling the myriad issues raised by Sander Gilman's provocative opening salvo—Are Jews Musical?—this volume's distinguished contributors present a series of essays that trace the intersections of Jewish history and music from the late nineteenth centur, Jewish Musical Modernism, Old and New

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Jewish Musical Modernism, Old and New, Tackling the myriad issues raised by Sander Gilman's provocative opening salvo—Are Jews Musical?—this volume's distinguished contributors present a series of essays that trace the intersections of Jewish history and music from the late nineteenth centur, Jewish Musical Modernism, Old and New

Jewish Musical Modernism, Old and New

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Jewish Musical Modernism, Old and New, Tackling the myriad issues raised by Sander Gilman's provocative opening salvo—Are Jews Musical?—this volume's distinguished contributors present a series of essays that trace the intersections of Jewish history and music from the late nineteenth centur, Jewish Musical Modernism, Old and New

Jewish Musical Modernism, Old and New

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