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Preface | ||
A Defense of Poetry | 1 | |
The Revenge of the Poet-Critic, or The Parts Are Greater Than the Sum of the Whole | 3 | |
Thelonious Monk and the Performance of Poetry | 18 | |
An Interview with Manuel Brito | 25 | |
Solidarity Is the Name We Give to What We Cannot Hold | 33 | |
What's Art Got to Do with It?: The Status of the Subject of the Humanities in an Age of Cultural Studies | 36 | |
A Test of Poetry | 52 | |
The Book as Architecture | 56 | |
Dear Mr. Fanelli | 58 | |
An Interview with Hannah Mockel-Rieke | 63 | |
I Don't Take Voice Mail: The Object of Art in the Age of Electronic Technology | 73 | |
Weak Links (on Hannah Weiner) | 81 | |
Claire-in-the-Building | 83 | |
Again Eigner | 86 | |
Frame Lock | 98 | |
"Passed by Examination": Paragraphs for Susan Howe | 100 | |
The Value of Sulfur | 104 | |
Shaker Show | 108 | |
Gertrude and Ludwig's Bogus Adventure | 109 | |
Introjective Verse | 110 | |
Poetics of the Americas | 113 | |
Unzip Bleed | 130 | |
Lachrymose Encaustic / Abrasive Tear | 140 | |
Stein's Identity | 141 | |
Provisional Institutions: Alternative Presses and Poetic Innovation | 145 | |
Pound and the Poetry of Today | 155 | |
Inappropriate Touching | 166 | |
Robin on His Own (on Robin Blaser) | 168 | |
Water Images of The New Yorker | 175 | |
The Response as Such: Words in Visibility | 178 | |
From an Ongoing Interview with Tom Beckett | 186 | |
Explicit Version Number Required | 191 | |
Hinge Picture (on George Oppen) | 192 | |
Reznikoff's Nearness | 197 | |
An Autobiographical Interview | 229 | |
Beyond Emaciation | 253 | |
Riding's Reason | 255 | |
Whose He Kidding | 268 | |
Unrepresentative Verse (on Ginsberg and Eliot) | 270 | |
Poetry and [Male?] Sex | 273 | |
Close Listening: Poetry and the Performed Word | 279 | |
Taps [In memoriam Eric Mottram] | 302 | |
Warning - Poetry Area: Publics under Construction | 304 | |
The Republic of Reality | 312 | |
Notes and Acknowledgments | 317 |
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