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Preface | ||
Acknowledgments | ||
A Note on Translation | ||
1 | Introduction: "A Message to Pass from Mouth to Mouth" | 1 |
2 | "Living from Their Own Garden": The Discourse of Authenticity | 32 |
3 | "Konpa-direk for Life": Francois Duvalier's Dictatorship and Konpa-direk | 71 |
4 | "Musicians Are a Single Family": Critical Discourse in Music under Baby Doc Duvalier | 108 |
5 | "Watch Out for Them!": Dechoukaj and Its Aftermath | 161 |
Epilogue: "Carnival of Hope" | 208 | |
Notes | 213 | |
Glossary | 237 | |
Bibliography | 245 | |
Discography | 255 | |
Interviews | 259 | |
Index | 261 |
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Add A Day for the Hunter, a Day for the Prey: Popular Music and Power in Haiti, The history of Haiti throughout the twentieth century has been marked by oppression at the hands of colonial and dictatorial overlords. But set against this day for the hunter has been a day for the prey, a history of resistance, and sometimes of triu, A Day for the Hunter, a Day for the Prey: Popular Music and Power in Haiti to the inventory that you are selling on WonderClubX
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Add A Day for the Hunter, a Day for the Prey: Popular Music and Power in Haiti, The history of Haiti throughout the twentieth century has been marked by oppression at the hands of colonial and dictatorial overlords. But set against this day for the hunter has been a day for the prey, a history of resistance, and sometimes of triu, A Day for the Hunter, a Day for the Prey: Popular Music and Power in Haiti to your collection on WonderClub |