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Media Journal: Reading and Writing About Popular Culture Book

Media Journal: Reading and Writing About Popular Culture
Media Journal: Reading and Writing About Popular Culture, There is a major distinction between those who absorb media images as spectators, and those who absorb them as commentators. Responding to images as a journalist, broadcaster, essayist, or critic, requires keen precision and a unique originality. In today, Media Journal: Reading and Writing About Popular Culture has a rating of 4.5 stars
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Media Journal: Reading and Writing About Popular Culture, There is a major distinction between those who absorb media images as spectators, and those who absorb them as commentators. Responding to images as a journalist, broadcaster, essayist, or critic, requires keen precision and a unique originality. In today, Media Journal: Reading and Writing About Popular Culture
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  • Media Journal: Reading and Writing About Popular Culture
  • Written by author Joseph Harris
  • Published by Longman, September 1998
  • There is a major distinction between those who absorb media images as spectators, and those who absorb them as commentators. Responding to images as a journalist, broadcaster, essayist, or critic, requires keen precision and a unique originality. In today
  • There is a major distinction between those who absorb media images as spectators, and those who absorb them as commentators. Responding to images as a journalist, broadcaster, essayist, or critic, requires keen precision and a unique originality. In today
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* Indicates selections new to this edition.

I. MEDIA JOURNAL ASSIGNMENTS.

A Day in the Life.

Keeping in Touch.

Escaping.

Identifying with Music.

Connecting with Celebrities.

Reading Places.

Interpreting Technologies.

Forming a Style.

Seeing Gender.

Discovering Politics.

Feeling Hyped.

Watching TV Watching.

II. READINGS.

I Saw God and/or Tangerine Dream, Lester Bangs.

Imaginary Social Relationships, John Caughey.

* Is Anything for Real? Travis Charbeneau.

Ideal Homes, Rosalind Coward.

* Visions of Black-White Friendship, Benjamin DeMott.

Blue Jeans, Umberto Eco.

Playboy Joins the Battle of the Sexes, Barbara Ehrenreich.

Wrestling with Myself, George Felton.

* Confessions of a TV Talk Show Shrink, Stuart Fischoff.

* Movies and History, Eric Foner and John Sayles.

* Grieving for the Camera, Neal Gabler.

* Thirteen Ways of Looking at a Black Man, Henry Louis Gates, Jr.

* Pop Goes the Culture, William Grimes.

* The Conformity of Office Zaniness, Daniel Harris.

The Importance of Being Oprah, Barbara Grizzuti Harrison.

* Happy [ ] Day to You, Gerri Hirshey.

*The Internet Is Four Inches Tall, M. Kadi.

The Malling of America: An Inside Look at the Great Consumer Paradise, William Severini Kowinski.

About a Salary or Reality? — Rap's Recurrent Conflict, Alan Light.

Understanding Television, David Marc.

Fortunate Son, Dave Marsh.

* Life in the Stone Age, Louis Menand.

The 19-Inch Neighborhood, Joshua Meyrowitz.

Barbara Walter's Theater of Revenge, Mark Crispin Miller.

Serious Watching, Alexander Nehamas.

* The Home Magazine Kitchen, Donald Norman.

The Peek-a-Boo World, Neil Postman.

Reading the Romance: Women, Patriarchy, and Popular Literature, Janice A. Radway.

*Trend-Spotting: It's All the Rage, Edward Rothstein.

* Why Is the Force Still with Us? John Seabrook.

* Tales from the Cutting Room Floor, Debra Seagal.

* Street Corners in Cyberspace, Andrew L. Shapiro.

Sex, Lies and Advertising, Gloria Steinem.

The Machine in the Kitchen, John Thorne.

A Weight That Women Carry, Sallie Tisdale.

* This Is a Naked Lady, Gerard Van Der Leun.

* Denim Downsize, Jay Weiser.

Michael Jordan Leaps the Great Divide, John Edgar Wideman.

Urban Spaceman, Judith Williamson.

III. PROJECTS IN CRITICISM.

A Media Autobiography.

The Meanings of News.

Critics, Fans, and Writing.

The Process of Viewing a Movie.

Naming and Interpreting a Genre.

The Media Generation(s).

Toward a Theory of Watching TV.


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Media Journal: Reading and Writing About Popular Culture, There is a major distinction between those who absorb media images as spectators, and those who absorb them as commentators. Responding to images as a journalist, broadcaster, essayist, or critic, requires keen precision and a unique originality. In today, Media Journal: Reading and Writing About Popular Culture

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