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Introduction: Texts, Bodies, Readers Chapter 1: ‘The Easy Communication of Sentiments’: Frances Burney, Charlotte Smith and the Complications of Sympathy Chapter 2: ‘Reading Responsive Emotions’: Memoirs of Emma Courtney and Memoirs of Modern Philosophers Chapter 3: Elizabeth Inchbald: ‘Reading as a Critic, or Rather as an Author’ Chapter 4: Comparing ‘Likeness’ with ‘Likeness’: Belinda and the Portrait Chapter 5: ‘Absorbed Attention’: Catherine Morland, Anne Elliot and Fanny Price Conclusion
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Add The Female Reader in the English Novel: From Burney to Austen, This book examines how reading is represented within the novels of the late eighteenth and early nineteenth century. Contemporary accounts portrayed the female reader in particular as passive and impressionable; liable to identify dangerously with the wor, The Female Reader in the English Novel: From Burney to Austen to the inventory that you are selling on WonderClubX
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Add The Female Reader in the English Novel: From Burney to Austen, This book examines how reading is represented within the novels of the late eighteenth and early nineteenth century. Contemporary accounts portrayed the female reader in particular as passive and impressionable; liable to identify dangerously with the wor, The Female Reader in the English Novel: From Burney to Austen to your collection on WonderClub |