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Foreword: Rudolf Arnheim in Retrospect, Dudley Andrew
Introduction, Scott Higgins
1. Rudolf Arnheim: Clarity, Simplicity, Balance, David Bordwell
2. Arnheim and Modernism, Malcolm Turvey
3. Rudolf Arnheim’s Early Passage between Social and Aesthetic Film Criticism,
Eric Rentschler
4. Screening Out Sound: Arnheim and Cinema’s Silence, Nora M. Alter
5. A Gestalt Approach to Film Analysis, Meraj Dhir
6. Deft Trajectories for the Eye: Bringing Arnheim to Vincente Minnelli’s Color Design, Scott Higgins
7. Perfecting the Complete Cinema: Rudolf Arnheim and the Digital Intermediates, Jinhee Choi
8. Art, Accident, and the Interpretation of the Modern World, Patrick Keating
9. Visual Thinking of the Avant-Garde Film, Maureen Turim
10. Arnheim on Radio: Materialtheorie and Beyond, Shawn VanCour
11. Television from Afar: Arnheim’s Understanding of Media, Doron Galili
12. Arnheim and Comics, Greg M. Smith
13. Arnheim on Style History, Colin Burnett
14. Arnheim on the Ontology of the Photographic Image, Vincent Bohlinger
Notes on Contributors
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Add Arnheim for Film and Media Studies, Rudolf Arnheim (1904-2007) was a pioneering figure in film studies, best known for his landmark book on silent cinema Film as Art. He ultimately became more famous as a scholar in the fields of art and art history, largely abandoning his theoreti, Arnheim for Film and Media Studies to the inventory that you are selling on WonderClubX
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Add Arnheim for Film and Media Studies, Rudolf Arnheim (1904-2007) was a pioneering figure in film studies, best known for his landmark book on silent cinema Film as Art. He ultimately became more famous as a scholar in the fields of art and art history, largely abandoning his theoreti, Arnheim for Film and Media Studies to your collection on WonderClub |