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| Illustrations | ||
| Acknowledgements | ||
| 1 | On television practice and television studies | 3 |
| 2 | The landscape of television in the United Kingdom | 9 |
| 3 | Television from the practitioner's perspective | 27 |
| Production management | 38 | |
| 4 | Production techniques: the visual dimension | 45 |
| 5 | Lighting and the cinematographer | 67 |
| Nick Hale: cinematographer | 73 | |
| 6 | Production techniques: sound | 77 |
| 7 | Post-production processes: editing | 91 |
| 8 | Post-production processes: sound and graphics | 102 |
| 9 | Narrative television | 113 |
| Tony Garnett: producer | 131 | |
| 10 | Everyday television | 137 |
| Helen Swords: research and production in daytime television and satellite | 139 | |
| Rupert Rumney: sports producer | 145 | |
| 11 | Documentary and factual television | 150 |
| John Wyver: producer | 160 | |
| Leanne Klein: documentary director | 169 | |
| 12 | News, politics and television as information | 179 |
| 13 | Television and the public sphere | 193 |
| Television journalism | 193 | |
| Access: television at the margins | 202 | |
| 14 | 'A training in ideas?' | 211 |
| Stuart Cosgrove: Controller of Arts and Entertainment, Channel Four Television | 211 | |
| 15 | Education, training and getting into the industry | 214 |
| Susan Williams: African-American and ft2 trainee | 218 | |
| Phil Redmond: Mersey Television | 222 | |
| 16 | The commissioning process | 228 |
| Alan Hayling: Channel Four | 230 | |
| Jeremy Howe: BBC Bristol | 233 | |
| Beryl Richards: writer and director | 239 | |
| 17 | Changing technologies | 247 |
| John Wyver: producer of The Net | 250 | |
| 18 | Television in the new century | 262 |
| Glossary | 265 | |
| Programme references | 282 | |
| Index | 302 |
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| $99.99 | Digital |
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