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Acknowledgements | ||
Introduction: In quest of performance efficacy | 1 | |
Pt. I | Theory and issues: alternative and community theatre as radical cultural intervention | 13 |
1 | Performance, community, culture | 15 |
2 | Reception, scale, terminologies | 41 |
3 | Carnival, agit prop, celebratory protest | 67 |
Pt. II | A history of alternative and community theatre | 93 |
4 | Experimentation in the 1960s: The community dramas of John Arden and Margaretta D'Arcy | 95 |
5 | Consolidation in the 1970s: The popular political theatre of John McGrath and 7:84 Theatre Company | 132 |
6 | Reorientation in the 1980s: The community plays of Ann Jellicoe and the Colway Theatre Trust | 168 |
7 | Fragmentation in the 1990s?: The celebratory performance of John Fox and Welfare State International | 206 |
Conclusions: On the brink of performance efficacy | 243 | |
Glossary | 257 | |
Bibliography | 259 | |
Index | 266 |
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The Politics of Performance, A detailed analysis of oppositional theatre as radical cultural practice in its various efforts to subvert the status quo. Its demonstrates how oppositional theatre may have had a significant impact on social and political history.
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The Politics of Performance, A detailed analysis of oppositional theatre as radical cultural practice in its various efforts to subvert the status quo. Its demonstrates how oppositional theatre may have had a significant impact on social and political history.
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