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| Acknowledgements | ||
| Introduction | 1 | |
| 1 | Acting and the phenomenological problem | 4 |
| 2 | Acting and semiotics | 10 |
| 3 | Acting and athletics | 19 |
| 4 | The psychology of acting | 26 |
| 5 | The psychology in acting | 33 |
| 6 | The dynamics of acting: skills | 45 |
| 7 | The dynamics of acting: process | 52 |
| 8 | The dynamics of acting: style | 71 |
| 9 | The cybernetics of acting: space and design | 83 |
| 10 | The cybernetics of acting: director and rehearsal | 91 |
| 11 | The cybernetics of acting: audience and critic | 100 |
| 12 | Acting as danger and sacrifice | 109 |
| Coda | 121 | |
| Notes | 127 | |
| Select bibliography | 130 | |
| Index | 132 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
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Add Acting, John Harrop examines how we think and speak about acting. Addressing himself to the intellectual problems associated with the idea of acting, it covers the range of actor training and practice from Stanislavski to the Post-Modern, and looks at the spiritu, Acting to the inventory that you are selling on WonderClubX
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Add Acting, John Harrop examines how we think and speak about acting. Addressing himself to the intellectual problems associated with the idea of acting, it covers the range of actor training and practice from Stanislavski to the Post-Modern, and looks at the spiritu, Acting to your collection on WonderClub |