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| Acknowledgements | ||
| Introduction: media audiences, postmodernity and cultural contradiction | 1 | |
| 1 | The Battle Between Television and Its Audiences | 19 |
| 2 | On the Politics of Empirical Audience Research | 35 |
| 3 | New Technologies, Audience Measurement and the Tactics of Television Consumption | 53 |
| 4 | Ethnography and Radical Contextualism in Audience Studies | 66 |
| 5 | Melodramatic Identifications: Television Fiction and Women's Fantasy | 85 |
| 6 | Feminist Desire and Female Pleasure: On Janice Radway's Reading the Romance | 98 |
| 7 | Gender and/In Media Consumption | 109 |
| 8 | Cultural Studies, Media Reception and the Transnational Media System | 133 |
| 9 | Global Media/Local Meaning | 150 |
| 10 | In the Realm of Uncertainty: The Global Village and Capitalist Postmodernity | 162 |
| Notes | 181 | |
| References | 189 | |
| Index | 202 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
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Add Living Room Wars, Living Room Wars brings together Ien Ang's recent writings on television audiences, and , in response to recent criticisms of cultural studies, argues that it is possible to study audience pleasures and popular television in a way that is not nai, Living Room Wars to the inventory that you are selling on WonderClubX
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Add Living Room Wars, Living Room Wars brings together Ien Ang's recent writings on television audiences, and , in response to recent criticisms of cultural studies, argues that it is possible to study audience pleasures and popular television in a way that is not nai, Living Room Wars to your collection on WonderClub |