|
|
Sold Out
Book Categories |
Acknowledgements Editorial Matters Abbreviations Introduction Chapter 1. New Media, New Means: Lieutenant Kizhe, 1932-34
Chapter 2. The Queen of Spades, The 1937 Pushkin Jubilee, and Repatriation Chapter 3. The Year 1938: Halcyon Days in Hollywood and an Unanticipated Collaboration Chapter 4. Alexander Nevsky and the Stalinist Museum Chapter 5. The Wartime Films, 1940-43
Chapter 6. Ivan the Terrible and the Russian National Tradition Epilogue Appendix Works cited Index
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Login|Complaints|Blog|Games|Digital Media|Souls|Obituary|Contact Us|FAQ
CAN'T FIND WHAT YOU'RE LOOKING FOR? CLICK HERE!!! X
You must be logged in to add to WishlistX
This item is in your Wish List
X
This item is in your Collection
Composing for the Red Screen: Prokofiev and Soviet Film
X
This Item is in Your Inventory
Composing for the Red Screen: Prokofiev and Soviet Film
X
You must be logged in to review the productsX
X
X
Add Composing for the Red Screen: Prokofiev and Soviet Film, Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Hollywood luminaries such as Gloria Swanson tempted , Composing for the Red Screen: Prokofiev and Soviet Film to the inventory that you are selling on WonderClubX
X
Add Composing for the Red Screen: Prokofiev and Soviet Film, Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Hollywood luminaries such as Gloria Swanson tempted , Composing for the Red Screen: Prokofiev and Soviet Film to your collection on WonderClub |