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Table of Contents
Foreword Introduction
Part I: "Spanish music" as propaganda Chapter 1: "Spanish music" as allied propaganda Chapter 2: "Spanish music" as Catholic propaganda
Part II: Negotiating French and Spanish music Chapter 3: Citizens or Savages?: The Spaniards in Raoul Laparra's La jota (1911)
Chapter 4: Manuel de Falla's La vie brève (1914) and notions of "Spanish music"
Part III: Building the Postwar order Chapter 5: Domesticating Difference?: Carmen and the "French" canon in the 1920s Chapter 6: Showcasing Spain at the Opéra Comique: The homage to Falla (1928)
Conclusions Bibliography
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Add Whose Spain?: Negotiating Spanish Music in Paris, 1908-1929, From the very beginning of the nineteenth century, many elements of Spanish culture carried an air of 'exoticism' for the French-and nothing played more important of a role in shaping the French idea of Spain than the country's musical tradition. However,, Whose Spain?: Negotiating Spanish Music in Paris, 1908-1929 to the inventory that you are selling on WonderClubX
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Add Whose Spain?: Negotiating Spanish Music in Paris, 1908-1929, From the very beginning of the nineteenth century, many elements of Spanish culture carried an air of 'exoticism' for the French-and nothing played more important of a role in shaping the French idea of Spain than the country's musical tradition. However,, Whose Spain?: Negotiating Spanish Music in Paris, 1908-1929 to your collection on WonderClub |