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Book Categories |
Chronology | ||
Introduction | ||
Pt. I | To 1914 | |
1 | A Recognition | 3 |
2 | Theme as Related to Form in Music | 5 |
3 | My Musical Outlook | 13 |
4 | Beatless-Notation Machine | 29 |
5 | The Music of Cyril Scott | 35 |
Pt. II | 1915-1921 | |
6 | The Impress of Personality in Unwritten Music | 43 |
7 | Modernism in Pianoforte Study | 65 |
8 | A Blossom Time in Pianoforte Literature | 72 |
9 | Modern and Universal Impulses in Music | 77 |
10 | The World Music of To-morrow | 84 |
11 | Richard Strauss: Seer and Idealist | 89 |
12 | The Unique Value of Natalie Curtis' Notations of American Negro Folksongs | 95 |
13 | Possibilities of the Concert Wind Band from the Standpoint of a Modern Composer | 99 |
14 | Let Us Sit in Wait No Longer for the Advent of Great American Composers - They are with Us Already | 106 |
15 | The Influence of Anglo-Saxon Folk Music | 113 |
16 | The Value of Icelandic to an Anglo-Saxon | 121 |
17 | Nordic Characteristics in Music | 131 |
Pt. III | 1922-1930 | |
18 | Guide to Virtuosity: Foreword to Students | 143 |
19 | What Effect is Jazz Likely to Have upon the Music of the Future? | 152 |
20 | To My Fellow-Composers | 157 |
21 | The Completion of the Percussion Family in the Orchestra | 165 |
22 | Sargent's Contributions to Music | 169 |
23 | The Orchestra for Australia | 173 |
24 | The Gregarious Art of Music | 179 |
25 | Music for Ensemble Players | 184 |
26 | Impressions of Art in Europe | 188 |
Pt. IV | 1931-1939 | |
27 | Democracy in Music | 217 |
28 | A General Study of the Manifold Nature of Music | 223 |
29 | Arnold Dolmetsch: Musical Confucius | 232 |
30 | Can Music Become a Universal Language? | 246 |
31 | Melody versus Rhythm | 251 |
32 | Characteristics of Nordic Music | 258 |
33 | Can Music be Debunked? | 267 |
34 | Sublime and Frivolous Elements in Music | 276 |
35 | Roger Quilter: The Greatest Songwriter of our Age | 290 |
36 | Free Music | 293 |
Pt. V | 1940 and After | |
37 | The Culturizing Possibilities of the Instrumentally Supplemented A Cappella Choir | 297 |
38 | The Specialist and the All-Round Man | 312 |
39 | Grieg: Nationalist and Cosmopolitan | 318 |
40 | English Pianism and Harold Bauer | 338 |
41 | How to Memorize Music | 347 |
42 | Music Heard in England | 349 |
43 | The Saxophone's Business in the Band | 356 |
44 | About Delius | 361 |
45 | Henry Balfour Gardiner: Champion of British Music | 369 |
46 | Questionnaire | 373 |
App | List of Grainger's Writings | 377 |
Index | 386 |
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