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Preface | ||
Acknowledgments | ||
Introduction | 1 | |
Pt. 1 | The Survival of Tonality | |
1 | Symphonic Music I: Nielsen, Sibelius, Vaughan Williams, and others | 9 |
2 | Bela Bartok | 31 |
3 | Igor Stravinsky | 51 |
4 | Symphonic Music II: Hindemith, Prokofiev, Shostakovich, and others | 69 |
5 | Opera: Richard Strauss, Weill, Janacek, Prokofiev, Britten, and others | 93 |
Pt. 2 | Twelve-note Music | |
6 | Arnold Schoenberg | 119 |
7 | Alban Berg | 143 |
8 | Anton Webern | 157 |
9 | The Spread of Serialism: Stravinsky, Sessions, Gerhard, Dallapiccola, Babbitt | 177 |
Pt. 3 | From Past to Future | |
10 | The Radical Aesthetic: Satie, Varese, Cage, and others | 195 |
11 | Three Individualists: Tippett, Messiaen, Carter | 212 |
12 | Seven Europeans: Lutoslawski, Xenakis, Ligeti, Berio, Boulez, Henze, Stockhausen | 236 |
Notes on the text | 267 | |
Bibliography | 274 | |
Index | 277 |
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