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Studies in the History of Italian Music and Music Theory Book

Studies in the History of Italian Music and Music Theory
Studies in the History of Italian Music and Music Theory, , Studies in the History of Italian Music and Music Theory has a rating of 4.5 stars
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  • Studies in the History of Italian Music and Music Theory
  • Written by author Claude V. Palisca
  • Published by Oxford University Press, USA, April 1994
  • Long acknowledged as a leading authority on Italian music of the late sixteenth and early seventeenth centuries, Claude V. Palisca here collects nineteen essays that provide a corpus of significant research into the music of the Italian Renaissance. The b
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List of Illustrations
Pt. IStudies in the History of Italian Music Theory
1The Revision of Counterpoint and the Embellished Style3
2Vincenzo Galilei's Counterpoint Treatise: A Code for the Seconda pratica30
3The Artusi-Monteverdi Controversy54
4Marco Scacchi's Defence of Modern Music (1649)88
5The Musica of Erasmus of Horitz146
6Boethius in the Renaissance168
7Aristoxenus Redeemed in the Renaissance189
8Scientific Empiricism in Musical Thought200
Pt. IIStudies in the History of Italian Music
9A Clarification of Musica reservata in Jean Taisnier's Astrologiae, 1559239
10Ut oratoria musica: The Rhetorical Basis of Musical Mannerism282
11Towards an intrinsically Musical Definition of Mannerism in the Sixteenth Century312
12Vincenzo Galilei and some Links between 'Pseudo-Monody' and Monody346
13Vincenzo Galilei's Arrangements for Voice and Lute364
14Musical Asides in the Diplomatic Correspondence of Emilio de' Cavalieri389
15The Alterati of Florence, Pioneers in the Theory of Dramatic Music408
16The First Performance of Euridice432
17Peri and the Theory of Recitative452
18G. B. Doni, Musicological Activist, and his Lyra Barberina467
19The Recitative of Lully's Alceste: French Declamation or Italian Melody?491
Index509


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