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List of Illustrations | ||
Pt. I | Studies in the History of Italian Music Theory | |
1 | The Revision of Counterpoint and the Embellished Style | 3 |
2 | Vincenzo Galilei's Counterpoint Treatise: A Code for the Seconda pratica | 30 |
3 | The Artusi-Monteverdi Controversy | 54 |
4 | Marco Scacchi's Defence of Modern Music (1649) | 88 |
5 | The Musica of Erasmus of Horitz | 146 |
6 | Boethius in the Renaissance | 168 |
7 | Aristoxenus Redeemed in the Renaissance | 189 |
8 | Scientific Empiricism in Musical Thought | 200 |
Pt. II | Studies in the History of Italian Music | |
9 | A Clarification of Musica reservata in Jean Taisnier's Astrologiae, 1559 | 239 |
10 | Ut oratoria musica: The Rhetorical Basis of Musical Mannerism | 282 |
11 | Towards an intrinsically Musical Definition of Mannerism in the Sixteenth Century | 312 |
12 | Vincenzo Galilei and some Links between 'Pseudo-Monody' and Monody | 346 |
13 | Vincenzo Galilei's Arrangements for Voice and Lute | 364 |
14 | Musical Asides in the Diplomatic Correspondence of Emilio de' Cavalieri | 389 |
15 | The Alterati of Florence, Pioneers in the Theory of Dramatic Music | 408 |
16 | The First Performance of Euridice | 432 |
17 | Peri and the Theory of Recitative | 452 |
18 | G. B. Doni, Musicological Activist, and his Lyra Barberina | 467 |
19 | The Recitative of Lully's Alceste: French Declamation or Italian Melody? | 491 |
Index | 509 |
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