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Foreword Bruno Nettl Nettl, Bruno
1 Casting Shadows: Fieldwork Is Dead! Long Live Fieldwork! Introduction Timothy J. Cooley Cooley, Timothy J. Gregory Barz Barz, Gregory 3
2 Knowing Fieldwork Jeff Todd Titan Titan, Jeff Todd 25
3 Toward a Mediation of Field Methods and Field Experience in Ethnornusicology Timothy Rice Rice, Timothy 42
4 Phenomenology and the Ethnography of Popular Music: Ethnomusicology at the Juncture of Cultural Studies and Folklore Harris M. Berger Berger, Harris M. 62
5 Moving: From Performance to Performative Ethnography and Back Again Deborah Wong Wong, Deborah 76
6 Virtual Fieldwork: Three Case Studies Timothy J. Cooley Cooley, Timothy J. Katharine Meizel Meizel, Katharine Nasir Syed Syed, Nasir 90
7 Fieldwork at Home: European and Asian Perspectives Jonathan P. J. Stock Stock, Jonathan P. J. Chou Chiener Chou, Chiener 108
8 Working with the Masters James Kippen Kippen, James 125
9 The Ethnomusicologist, Ethnographic Method, and the Transmission of Tradition Kay Kaufman Shelemay Shelemay, Kay Kaufman 141
10 Shadows in the Classroom: Encountering the Syrian Jewish Research Project Twenty Years Later Judah M. Cohen Cohen, Judah M. 157
11 What's the Difference? Reflections on Gender and Research in Village India Carol M. Babiracki Babiracki, Carol M. 167
12 (Un)doing Fieldwork: Sharing Songs, Sharing Lives Michelle Kisliuk Kisliuk, Michelle 183
13 Confronting the Field(note) In and Out of the Field: Music, Voices, Texts, and Experiences in Dialogue Gregory F. Barz Barz, Gregory F. 206
14 The Challenges of Human Relations in Ethnographic Inquiry: Examples from Arctic and Subarctic Fieldwork Nicole BeaudryBeaudry, Nicole 224
15 Returning to the Ethnomusicological Past Philip V. Bohlman Bohlman, Philip V. 246
16 Theories Forged in the Crucible of Action: The Joys, Dangers, and Potentials of Advocacy and Fieldwork Anthony Seeger Seeger, Anthony 271
References 289
Index 313
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Beverly Titel
reviewed Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology on December 19, 2011 Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology
A volume in the Global Music series. I didn't like this as well as some of the other volumes. Japanese music tradition is complex, derived from many foreign influences, as this book documents. Unfortunately, the book did not seem well organized, and moved back in forth in time, which is especially difficult for someone not familiar with the periods of Japanese history to keep track of. The CD was especially disappointing; because of economic and copyright issues, presumably, it was composed of short fragments, which made it difficult to really get into any of the styles presented. (It was also poorly bound; the cover fell off before I was finished reading it.)
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Add Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology, Ethnomusicological fieldwork has significantly changed since the end of the the 20th century. Ethnomusicology is in a critical moment that requires new perspecitves on fieldwork - perspectives that are not addressed in the standard guides to ethnomus, Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology to the inventory that you are selling on WonderClubX
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Add Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology, Ethnomusicological fieldwork has significantly changed since the end of the the 20th century. Ethnomusicology is in a critical moment that requires new perspecitves on fieldwork - perspectives that are not addressed in the standard guides to ethnomus, Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology to your collection on WonderClub |
