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Contributors | ||
1 | Introduction | 3 |
2 | A Theoretical Introduction to the Markedness Model | 18 |
3 | Implicatures of Styleswitching in the Narrative Voice of Cormac McCarthy's All the Pretty Horses | 41 |
4 | Marked Grammatical Structures: Communicating Intentionality in The Great Gatsby and As I Lay Dying | 62 |
5 | Markedness and References to Characters in Biblical Hebrew Narratives | 89 |
6 | Literariness, Markedness, and Surprise in Poetry | 101 |
7 | Villainous Boys: On Some Marked Exchanges in Romeo and Juliet | 124 |
8 | Markedness and Styleswitching in Performances by African American Drag Queens | 139 |
9 | Styleswitching in Southern English | 162 |
10 | Marked Versus Unmarked Choices on the Auto Factory Floor | 178 |
11 | "Not Quite Right": Second-Language Acquisition and Markedness | 195 |
Index | 215 |
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