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Introduction | ||
Pt. I | Views | |
1 | Marin Alsop | 3 |
2 | A Conversation with Milton Babbitt | 11 |
3 | Maria Bachmann: The Making of a Musician | 19 |
4 | Leonard Bernstein at 70 | 27 |
5 | Leonard Bernstein: In Memoriam | 31 |
6 | A Conversation with John Cage | 35 |
7 | Van Cliburn | 40 |
8 | Christoph von Dohnanyi | 46 |
9 | Matthew Epstein | 54 |
10 | Geraldine Farrar | 62 |
11 | A Conversation with Philip Glass and Steve Reich | 66 |
12 | Philip Glass | 76 |
13 | Glenn Gould: A Reminiscence | 84 |
14 | Glenn Gould: The Piano Quarterly Interview | 92 |
15 | Mieczyslaw Horszowski | 106 |
16 | Christopher Keene | 110 |
17 | Maurizio Pollini | 115 |
18 | Steve Reich | 118 |
19 | Nadja Salerno-Sonnenberg | 122 |
20 | Leonard Slatkin | 131 |
21 | Ellen Taaffe Zwilich | 143 |
Pt. II | Reviews | |
1 | The Complete Works of Anton Webern Conducted by Pierre Boulez | 153 |
2 | Tunnel Hum | 156 |
3 | A Suzuki Orchestra | 157 |
4 | "Postcard" from Juilliard | 158 |
5 | A Visit to California | 160 |
6 | John Cage at Barnard | 162 |
7 | Bach and the Rodents | 164 |
8 | The Return of Conlon Nancarrow | 165 |
9 | Robert Taub Plays Babbitt | 167 |
10 | "Bleecker Street" in Charleston | 168 |
11 | Pavarotti at the Garden | 170 |
12 | Piano and Electronics: Rebecca La Brecque | 172 |
13 | Sweeney Todd at City Opera | 173 |
14 | Meredith Monk at BAM | 175 |
15 | Harry Partch in Philadelphia | 176 |
16 | "Swing" and Swados | 178 |
17 | Irving Berlin at 100 | 180 |
18 | Ellington's Orchestral Music | 182 |
19 | The Kronos Quartet | 183 |
20 | George Antheil Revived | 184 |
21 | Bernstein Conducts Copland | 186 |
22 | Henryk Mikolaj Gorecki | 188 |
23 | New Music America at Ten | 190 |
24 | Holy Blood and Crescent Moon | 192 |
25 | Peter Serkin Plays Commissions | 193 |
26 | Vladimir Feltsman | 195 |
27 | Arvo Part and His "Passio" | 197 |
28 | Pogorelich at Carnegie Hall | 198 |
29 | A Moment of Silence | 200 |
30 | Opening Night at the Met | 201 |
31 | Peter Sellars' Figaro | 203 |
32 | Mitsuko Uchida's Mozart | 205 |
33 | The Death of Klinghoffer | 206 |
34 | Ernst Krenek and John Corigliano | 208 |
35 | Who Is Schubert? | 211 |
Pt. III | Miscellany | |
1 | Prodigy: The Enduring Mystery of the Musical Wunderkind | 215 |
2 | Early Music, Lately | 222 |
3 | The Mozart Bicentennial | 228 |
4 | The New Age of Brian Eno | 231 |
5 | Brian Wilson | 233 |
6 | Lisbon Traviatas and Opera Obsessives | 240 |
7 | A Plea for Hesitation | 244 |
8 | Living with Recordings | 246 |
9 | A Return to Tanglewood | 250 |
Acknowledgments | 257 | |
Index of Names | 261 |
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Add Music from the road, Since his debut fourteen years ago, Tim Page has established himself as one of our most original and perceptive music critics, and one of the very few to maintain a serious involvement with the music of our own time. Gathering many of Page's liveliest art, Music from the road to the inventory that you are selling on WonderClubX
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Add Music from the road, Since his debut fourteen years ago, Tim Page has established himself as one of our most original and perceptive music critics, and one of the very few to maintain a serious involvement with the music of our own time. Gathering many of Page's liveliest art, Music from the road to your collection on WonderClub |