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Audrey Niffenegger's innovative debut, The Time Traveler's Wife, is the story of Clare, a beautiful art student, and Henry, an adventuresome librarian, who have known each other since Clare was six and Henry was thirty-six, and were married when Clare was twenty-three and Henry thirty-one. Impossible but true, because Henry is one of the first people diagnosed with Chrono-Displacement Disorder: periodically his genetic clock resets and he finds himself misplaced in time, pulled to moments of emotional gravity in his life, past and future. His disappearances are spontaneous, his experiences unpredictable, alternately harrowing and amusing.
The Time Traveler's Wife depicts the effects of time travel on Henry and Clare's marriage and their passionate love for each other as the story unfolds from both points of view. Clare and Henry attempt to live normal lives, pursuing familiar goals--steady jobs, good friends, children of their own. All of this is threatened by something they can neither prevent nor control, making their story intensely moving and entirely unforgettable.
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Michael Blanco
reviewed The Time Traveler's Wife on August 01, 2007
The Time Traveler's Wife
I recently read The Time-Traveler's Wife and was pretty disappointed---the author somehow manages to turn such an awesome premise (the dude actually time travels!) into something pretty flat and dull. The first hundred pages really hooked me, but after a while I started to get irritated by:
1. All the name checking of hipster-approved bands in an attempt to establish Henry's supposed "punk" cred. He liked the Violent Femmes in 1991. That's why he's so badass? Seriously?
2. The food porny descriptions of the meals they eat. Some paragraphs read like the menu of a pretentious bistro.
3. The awful ethnic stereotypes that characterize the few non-white characters (Nell, the mammy-esque family cook (complete with dialect), or Charisse, the "childlike" Filipina).
4. The fact that everyone is successful and at least upper middle class, if not fabulously wealthy. Even Henry somehow manages to keep his job at the Newberry library for 20 years, despite his habits of disappearing for odd stretches of time, not keeping appointments, and, oh, running around naked in the stacks from time to time. It would have been more interesting to me if his disorder kept him from having any normal kind of professional life.
5. The lack of character development in the protagonists after they finally meet as adults.
All of a sudden, they meet and they're in love. The author gives lip service to Henry's womanizing and drug problems, but really, they don't seem to pose much more than a passing problem for Clare because she already knows they'll get married. And even as a married couple, their biggest source of conflict (whether they can or should have a child) is extrinsic, rather than intrinsic to their personalities/characters. Clare never really seems to be bothered by her lack of independence, or the fact that she's so tethered to Henry because he had a part in making her who she is, etc.
By the time I actually got to the end of the story, I was too emotionally distanced from the characters to really be moved by what happens to them---the burden of plot winds up outsripping any kind of nuanced characterization. Bad science fiction and bad romance. Bah humbug.
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