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Introduction | ||
Suggestions for Further Reading | ||
Chronology | ||
Preface to God's Trombones | 5 | |
Listen, Lord - A Prayer | 13 | |
The Creation | 15 | |
The Prodigal Son | 18 | |
Go Down Death - A Funeral Sermon | 22 | |
Noah Built the Ark | 25 | |
The Crucifixion | 31 | |
Let My People Go | 35 | |
The Judgment Day | 42 | |
Saint Peter Relates an Incident of the Resurrection Day | 49 | |
O Black and Unknown Bards | 55 | |
Brothers - American Drama | 57 | |
O Southland! | 60 | |
We to America | 61 | |
Mother Night | 62 | |
The Young Warrior | 63 | |
The White Witch | 64 | |
My City | 66 | |
The Glory of the Day Was in Her Face | 67 | |
Life | 68 | |
The Black Mammy | 69 | |
Fragment | 70 | |
Mother, Farewell! (from the Spanish of Placido) | 72 | |
Girl of Fifteen | 73 | |
The Suicide | 74 | |
Down by the Carib Sea | 75 | |
Deep in the Quiet Wood | 80 | |
Prayer at Sunrise | 81 | |
Her Eyes Twin Pools | 82 | |
Vashti | 83 | |
If I Were Paris | 86 | |
Ghosts of the Old Year | 87 | |
Beauty Never Old | 88 | |
Blessed Sleep | 89 | |
The Greatest of These Is War | 90 | |
A Poet to His Baby Son | 92 | |
Ma Lady's Lips Am Like de Honey | 94 | |
A Plantation Bacchanal | 96 | |
Tunk | 97 | |
Brer Rabbit, You's de Cutes' of 'Em All | 99 | |
Answer to Prayer | 100 | |
A Banjo Song | 101 | |
The Rivals | 102 | |
Sence You Went Away | 108 | |
Lift Every Voice and Sing | 109 | |
Envoy | 111 | |
Introduction to Fifty Years and Other Poems by Brander Matthews | 115 | |
Fifty Years | 117 | |
To Horace Bumstead | 122 | |
The Color Sergeant | 123 | |
From the German of Uhland | 124 | |
Before a Painting | 125 | |
I Hear the Stars Still Singing | 126 | |
A Mid-Day Dreamer | 127 | |
The Temptress | 128 | |
The Ghost of Deacon Brown | 129 | |
"Lazy" | 131 | |
Omar | 132 | |
Voluptas (I) | 133 | |
The Word of an Engineer | 134 | |
The Gift to Sing | 136 | |
Morning, Noon and Night | 137 | |
The Awakening | 138 | |
Venus in a Garden | 139 | |
Nobody's Lookin' But de Owl and de Moon | 140 | |
You's Sweet to Yo' Mammy Jes de Same | 141 | |
July in Georgy | 142 | |
Dat Gal o' Mine | 143 | |
The Seasons | 144 | |
'Possum Song | 145 | |
An Explanation | 147 | |
De Little Pickaninny's Gone to Sleep | 148 | |
Moods | 153 | |
A Passing Melody | 154 | |
The River | 155 | |
Helene | 156 | |
The Class of '94 | 157 | |
Grandmother's Bible | 162 | |
A Dream | 163 | |
Sonnet | 164 | |
Sonnet - The Secret | 165 | |
Class Poem | 166 | |
Voluptas (II) | 171 | |
Optimistic Sam | 172 | |
Mobile Mardi Gras | 173 | |
After My First Week Teaching in the Country | 174 | |
To a Brook Near My School House | 176 | |
A Recollection | 177 | |
The Last Waltz | 178 | |
To a Friend | 179 | |
Only Trust Me | 180 | |
A Brand | 181 | |
Christmas Carol | 182 | |
Miserable | 183 | |
To H.B. | 184 | |
To a Friend, with a Rose | 185 | |
A Heathen | 186 | |
To My Valentine | 187 | |
Ode to Florida | 188 | |
Acknowledgment | 190 | |
The Passionate Lover | 192 | |
Art vs. Trade | 195 | |
The Poet's Harp | 196 | |
I Love Thee Still | 198 | |
To Louie (I) | 199 | |
A Fragment (I) | 200 | |
Untitled Poem ("Was what you thought love, but passing") | 201 | |
Untitled Poem ("Come with me my love and wander") | 202 |
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Add Complete Poems, 2000 marks the centenary of Lift Every Voice and Sing, James Weldon Johnson's most famous lyric, which is now embraced as the Negro National Anthem. In celebration, this Penguin original collects all the poems from Johnson's published works—Fifty Yea, Complete Poems to the inventory that you are selling on WonderClubX
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Add Complete Poems, 2000 marks the centenary of Lift Every Voice and Sing, James Weldon Johnson's most famous lyric, which is now embraced as the Negro National Anthem. In celebration, this Penguin original collects all the poems from Johnson's published works—Fifty Yea, Complete Poems to your collection on WonderClub |