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THE CALL (1997-2000) | 1 |
Template | 3 |
September Song | 5 |
Typography | 7 |
Diorama of the Uninhabited Yes | 8 |
Walk | 10 |
Legacy | 13 |
New Brooms | 16 |
Winter Strawberries | 18 |
Narcolepsy | 19 |
The Call | 21 |
The Same Moon | 24 |
Splendor | 26 |
Snow | 28 |
Interleavings (Paul Celan) | 31 |
A Novelist Speaks (Don DeLillo) | 32 |
Invoice | 34 |
C Is Forgiving | 36 |
Frayed Edges | 37 |
Freesia Errata Slip | 43 |
from ON A STAIR (1996) | 45 |
Invocation | 47 |
On (Word) | 48 |
On(Thing) | 49 |
On (Dream) | 50 |
A Clown, Some Colors, A Doll, Her Stories, A Song, A | |
Moonlit Cove | 51 |
Nocturnal Reel | 65 |
A Valentine for Tomorrow | 68 |
Staircase | 71 |
Daylight Savings Time | 72 |
Blake's Lagoon | 74 |
Night Barrier | 77 |
Poise on Row | 80 |
Sequence with Dream Objects in Real Time | 82 |
Free Fall | 85 |
And the Question Of | 87 |
Poem with Last Line from Epictetus | 90 |
from AND FOR EXAMPLE (1994) | 91 |
The Prior | 93 |
Rancor of the Empirical | 96 |
The Untelling | 97 |
Eclipse with Object | 99 |
from For Example | 100 |
Stepping Out | 100 |
Tangled Reliquary | 106 |
Lost Section | 110 |
Song of the Already Sung | 114 |
Of the Fire | 119 |
And the Fire Spread | 124 |
Seven Songs for Joe | 131 |
Missing Ages | 137 |
Harm's Way, Arm's Reach | 140 |
Ashes, Ashes (Robert Ryman, Susan Crile) | 143 |
In the Museum of the Word (Henri Matisse) | 147 |
When Color Disappoints (Joseph Beuys) | 152 |
from CLAMOR (1991) | 157 |
Tuscan Visit (Simone Martini) | 159 |
Gesture and Flight | 162 |
The French Girl | 166 |
Tribe (Stamina of the Unseen) | 168 |
Clamor | 170 |
Boy Sleeping | 172 |
Of the Meadow | 174 |
How Things Bear Their Telling | 176 |
Local Branch | 179 |
Prom in Toledo Night | 180 |
Remorse of the Depicted | 190 |
Lakeview Diner | 191 |
Not That It Could Be Finished | 192 |
Annotation | 193 |
After the Storm | 194 |
Report | 195 |
Tock | 196 |
from BEFORE RECOLLECTION (1987) | 197 |
Subject to Change | 199 |
The Vanquished | 200 |
Poem for Margrit, for Frida | 201 |
Closing Hours | 202 |
Psyche's Dream | 203 |
Still | 204 |
Saint Lucia | 205 |
Holding Air | 208 |
As Far As the Eye Can See | 209 |
Monody | 210 |
Naming the House | 211 |
Landscape with Vase | 212 |
Carousel | 213 |
Before Recollection | 215 |
Medieval Evening | 216 |
Lake of Isles | 217 |
Topaz | 218 |
Path | 219 |
Coastal | 220 |
Aperture | 221 |
Vernal Elegy | 222 |
A Simple Service | 223 |
The Walled Palace | 224 |
Narrow Margins | 225 |
Later That Evening | 226 |
from MANY TIMES, BUT THEN (1979) | 227 |
A Visit to the Country | 229 |
Gramercy Park Evening | 230 |
Then Suddenly | 231 |
Along the Way | 232 |
Winter Sky | 233 |
True and False Green | 234 |
The White Sequence | 235 |
Configuration of One | 238 |
Gray Morning | 239 |
Poem | 240 |
Romance | 241 |
As It Turns Out | 242 |
The Day After | 243 |
Last Night It Rained | 244 |
Standing at a Distance | 245 |
And So | 246 |
East River Barge | 247 |
Reynolda Gardens | 248 |
Country Evenings | 249 |
After All | 250 |
The Relinquished | 251 |
Second Descent: 1975 | 252 |
Quotations from Reality | 253 |
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