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Preface and Acknowledgments | ||
1 | The Sources of Modern Painting | 1 |
2 | Realism, Impressionism, and Early Photography | 15 |
3 | Post-Impressionism | 46 |
4 | The Origins of Modern Architecture and Design | 72 |
5 | Art Nouveau and the Beginnings of Expressionism | 82 |
6 | The Origins of Modern Sculpture | 97 |
7 | Fauvism | 108 |
8 | Expressionism in Germany | 124 |
9 | The Figurative Tradition in Early Twentieth-Century Sculpture | 145 |
10 | Cubism | 156 |
11 | Futurism, Abstraction in Russia, and de Stijl | 193 |
12 | Early Twentieth-Century Architecture | 219 |
13 | From Fantasy to Dada and the New Objectivity | 236 |
14 | The School of Paris After World War I | 267 |
15 | Surrealism | 288 |
16 | Modern Architecture Between the Wars | 329 |
17 | International Abstraction Between the Wars | 343 |
18 | American Art Before World War II | 371 |
19 | Abstract Expressionism and the New American Sculpture | 410 |
20 | Postwar European Art | 446 |
21 | Pop Art and Europe's New Realism | 478 |
22 | Sixties Abstraction | 523 |
23 | The Second Wave of International Style Architecture | 561 |
24 | The Pluralistic Seventies | 588 |
25 | Postmodernism in Architecture | 655 |
26 | The Retrospective Eighties | 685 |
27 | Resistance and Resolution | 730 |
Bibliography | 776 | |
Glossary | 799 | |
Index | 802 | |
Credits | 826 |
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