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I. INTRODUCTION.
1. Twentieth-Century Music and the Past.
II. THE BREAKDOWN OF TRADITIONAL TONALITY.
2. The Sources.
3. The Revolution: Paris.
4. The Revolution: Vienna.
III. THE NEW TONALITIES.
5. Stravinsky and Neo-Classicism.
6. Neo-Classicism and Neo-Tonality in France.
7. The Diffusion of Neo-Classicism and Neo-Tonality.
8. National Styles.
9. Opera and Musical Theater.
IV. ATONALITY AND TWELVE-TONE MUSIC.
10. The Viennese School.
11. The Diffusion of Twelve-Tone Music.
V. THE AVANT-GARDE.
12. Introduction: Before World War II.
13. Technological Culture and Electronic Music.
14. Ultra-Rationality and Serialism.
15. Anti-Rationality and Aleatory.
16. The New Performed Music: The United States.
17. Post-Serialism: The New Performance Practice in Europe.
VI. POST-MODERNISM.
18. Beyond Modern Music.
19. Back to Tonality.
20. Pop as Culture.
21. Media and Theater.
Appendix: Music Examples.
Index.
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