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| Preface | ||
| 1 | The American Avant-Garde | 1 |
| Artists | ||
| My Painting (1947-1948) | 2 | |
| The Romantics Were Prompted (1947-1948) | 3 | |
| What Abstract Art Means to Me (1951) | 5 | |
| Critics | ||
| Towards a Newer Laocoon (1940) | 10 | |
| The American Action Painters (1952) | 23 | |
| The New American Painting (1959) | 32 | |
| Context | ||
| The Spiritual Problem of Modern Man (1933) | 37 | |
| 2 | Art and Materialism in the Beat Generation | 55 |
| Artists | ||
| I am for an Art ... (1961/1967) | 56 | |
| Happenings in the New York Scene (1961) | 60 | |
| The Artist Speaks (Interview with Dorothy Gees Seckler) (1966) | 68 | |
| Critics | ||
| The New Art (1963) | 76 | |
| Context | ||
| Howl (1955-1956) | 85 | |
| Dog (1955) | 94 | |
| Experimental Music (1957) | 96 | |
| 3 | Mass Culture, Mass Media, Pop Art | 101 |
| Artists | ||
| What Is Pop Art? (Interviews by Gene Swenson) (1963 and 1964) | 102 | |
| Critics | ||
| The Arts and the Mass Media (1958) | 115 | |
| A Symposium on Pop Art (1963) | 119 | |
| Context | ||
| Perspective from the Biltmore Balcony (1960) | 139 | |
| Television: The Timid Giant (1964) | 145 | |
| 4 | Objectivity, Reduction, and Formalism | 167 |
| Artists | ||
| Excerpts from Painters Painting (1970) | 168 | |
| Specific Objects (1965) | 173 | |
| Paragraphs on Conceptual Art (1967) | 180 | |
| Reflections (1973) | 184 | |
| Critics | ||
| A B C Art (1965) | 186 | |
| Modernist Painting (1965) | 201 | |
| Context | ||
| A Future for the Novel (1965) | 208 | |
| 5 | Process and Materials | 215 |
| Artists | ||
| Anti Form (1968) | 216 | |
| An Interview with Eva Hesse (by Cindy Nemser) (1970) | 219 | |
| Nauman Interview (by Willoughby Sharp) (1970) | 225 | |
| Verb List (1972) | 234 | |
| Critics | ||
| Anti-Illusion: Procedures/Materials (1969) | 235 | |
| Context | ||
| Music As a Gradual Process (1968) | 243 | |
| 6 | Sculpture in the Environment | 246 |
| Artists | ||
| Cultural Confinement (1972) | 247 | |
| Sun Tunnels (1977) | 250 | |
| Interview by Barbaralee Diamonstein (1979) | 258 | |
| On the Periphery of Knowing (Interview by Jan Butterfield) (1976) | 269 | |
| Gordon Matta-Clark's Building Dissections (Interview by Donald Wall) (1976) | 274 | |
| Critics | ||
| Sculpture in the Expanded Field (1979) | 283 | |
| Context | ||
| The Primacy of Perception and Its Philosophical Consequences (1964) | 292 | |
| 7 | Theory, Politics, and Performance | 307 |
| Artists | ||
| Interview with Hans Haacke (by Robert C. Morgan) (1979) | 308 | |
| Excerpts from The Dinner Party: A Symbol of Our Heritage (1979) | 318 | |
| Catalysis: An Interview with Adrian Piper (by Lucy Lippard) (1972) | 330 | |
| Untitled Statements (1975) | 334 | |
| Critics | ||
| Sexual Politics, Art Style (1971) | 339 | |
| Black Creativity in Quest of an Audience (1970) | 343 | |
| Hans Haacke's Cancelled Show at the Guggenheim (1971) | 346 | |
| Context | ||
| I've Been to the Mountaintop (1968) | 356 | |
| Linguistics and Politics (1969) | 364 | |
| 8 | The Return of Painting | 380 |
| Artists | ||
| Statement (1980) | 381 | |
| Expressionism Today: An Artist Symposium (Interviews by Carter Ratcliff and Hayden Herrera) (1982) | 382 | |
| Critics | ||
| American Painting: The Eighties (1980) | 389 | |
| Context | ||
| The Adversary Culture of Intellectuals (1979) | 404 | |
| 9 | Identity and Technology | 418 |
| Artists | ||
| Talking Art with Carrie Mae Weems (Interview by bell hooks) (1995) | 419 | |
| Charles Ray: A Telephone Conversation (Interview by Francesco Bonami) (1992) | 430 | |
| A Diary of Fluids and Fears (Interview by Francesco Bonami) (1993) | 434 | |
| Interview with Gary Hill on Tall Ships (Interview by Regina Cornwell) (1997) | 437 | |
| Art at the End of the Optical Age (Interview by Virginia Rutledge) (1998) | 443 | |
| Critics | ||
| Art of the Living Dead (1992) | 452 | |
| Coming Together in Parts: Positive Power in the Art of the Nineties (1993) | 469 | |
| Video in Situ (1995) | 479 | |
| Context | ||
| The Work of Art in the Electronic Age (Interview by La Sept) (1988) | 484 | |
| The Information War (1995) | 490 | |
| Bibliography | 500 | |
| Index | 504 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Joseph Stalin
reviewed Artists, Critics, Context : Readings in and Around American Art since 1945 on June 14, 2015 Artists, Critics, Context : Readings in and Around American Art since 1945
Rose Eichenbaum has created a unique collection of choreographer portraits and interviews. While the interviews are a little light on content, the quantity and quality of interviewees is very impressive, and the portraits are tailored to each artist's personality. A great coffeetable book.
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Add Artists, Critics, Context : Readings in and Around American Art since 1945, This clear, concise, and historically-rooted anthology traces the key developments in American avant-garde art from the 1940s with Abstract Expressionism and the Cold War through the late 1990s with an array of video installations and the broad cultural c, Artists, Critics, Context : Readings in and Around American Art since 1945 to the inventory that you are selling on WonderClubX
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Add Artists, Critics, Context : Readings in and Around American Art since 1945, This clear, concise, and historically-rooted anthology traces the key developments in American avant-garde art from the 1940s with Abstract Expressionism and the Cold War through the late 1990s with an array of video installations and the broad cultural c, Artists, Critics, Context : Readings in and Around American Art since 1945 to your collection on WonderClub |
