Sold Out
Book Categories |
Introduction | ix | |
The apprenticeship of writing | ix | |
The myth of the 'writer' | xi | |
The importance of being a reader | xii | |
Three qualities needed for success | xiii | |
How to use this book | xvi | |
1 | Beginnings | 1 |
Hardware or software? | 2 | |
A writer in search of an idea | 2 | |
The quality of your story | 5 | |
Getting started | 6 | |
Practise, practise, practise | 12 | |
2 | Plot | 15 |
The three functions of story-telling | 16 | |
Holding the reader's attention | 16 | |
What is a plot? | 18 | |
The basic requirements for a plot | 21 | |
3 | The eight-point arc | 27 |
Grand, major and minor arcs | 32 | |
Analysis of a story | 33 | |
How to use this information | 38 | |
4 | Sub-plot and symbolism | 40 |
Sub-plot | 41 | |
Symbolism | 43 | |
5 | Character | 48 |
Identification with the character | 49 | |
Making characters real | 51 | |
Seven tools to convey characters | 55 | |
Motivation | 57 | |
Representation | 58 | |
Know your characters by knowing yourself | 60 | |
Roman a clef | 61 | |
6 | Dialogue | 64 |
The three functions of speech | 66 | |
Giving the impression of real speech | 67 | |
Supporting your dialogue | 69 | |
Types of speech | 70 | |
Conventions of written speech | 73 | |
7 | Viewpoint | 74 |
Types of viewpoint | 77 | |
What tense? | 82 | |
The impact of viewpoint decisions | 82 | |
Tone | 84 | |
8 | Setting the scene | 87 |
Researching the setting | 88 | |
Making scenes real | 90 | |
Perception and selection | 92 | |
Visualization | 93 | |
9 | Style | 96 |
Find your own style | 97 | |
Fowler's preferences | 99 | |
Things to beware of | 100 | |
Taking chances | 103 | |
10 | Theme | 106 |
Subject matter | 107 | |
Thread | 108 | |
Thesis | 109 | |
11 | Editing and shaping | 113 |
Writing and editing | 114 | |
Shaping the novel | 115 | |
Working chronologically | 117 | |
Excision and expansion | 118 | |
Pace | 118 | |
Handling the passage of time | 120 | |
Gaining perspective | 123 | |
Novel length and chapter length | 124 | |
Finishing your book | 124 | |
12 | The personality of the writer | 127 |
The sensibility of the artist | 128 | |
The anatomy of the writer | 130 | |
The importance of considerateness | 135 | |
13 | Support | 137 |
Our physical environment | 138 | |
Time | 139 | |
People | 140 | |
Writers' circles, courses and books | 141 | |
Writer's block | 142 | |
Writing as an organic process | 145 | |
14 | Marketing | 147 |
Going it alone | 148 | |
Agents | 149 | |
Self-publishing and vanity publishing | 150 | |
Presenting your manuscript to a publisher | 151 | |
From presentation to publication | 153 | |
Money | 154 | |
Taking it further | 157 | |
Recommended reading | 157 | |
Writing courses | 159 | |
Index | 160 |
Login|Complaints|Blog|Games|Digital Media|Souls|Obituary|Contact Us|FAQ
CAN'T FIND WHAT YOU'RE LOOKING FOR? CLICK HERE!!! X
You must be logged in to add to WishlistX
This item is in your Wish ListX
This item is in your CollectionWriting a Novel
X
This Item is in Your InventoryWriting a Novel
X
You must be logged in to review the productsX
X
X
Add Writing a Novel, Now with a sharp new cover, Teach Yourself Writing a Novel helps readers follow the paths of Austin and Hemingway. The author takes them step-by-step through the writing process, from the germination of an idea to the actual writing, and from findi, Writing a Novel to the inventory that you are selling on WonderClubX
X
Add Writing a Novel, Now with a sharp new cover, Teach Yourself Writing a Novel helps readers follow the paths of Austin and Hemingway. The author takes them step-by-step through the writing process, from the germination of an idea to the actual writing, and from findi, Writing a Novel to your collection on WonderClub |