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Book Categories |
List of Illustrations | ||
Preface | ||
A Note on the Text | ||
The Text of Othello | ||
The Tragedy of Othello, the Moor of Venice | 2 | |
Textual Commentary | 119 | |
Textual Notes | 123 | |
Sources and Contexts | ||
Othello in Its Own Time | 129 | |
The Moor of Venice | 151 | |
Criticism | ||
Othello in Critical History | 165 | |
"A Bloody Farce" | 201 | |
Comments on Rymer's Othello | 210 | |
Shakespeare, the Rules, and Othello | 216 | |
Othello's Color: Theatrical versus Literary Representation | 221 | |
Iago, Heroic Tragedy, and Othello | 222 | |
Comments on Othello | 230 | |
"The Most Painfully Exciting and the Most Terrible" of Shakespeare's Tragedies | 235 | |
"The Last Great Speech of Othello" | 244 | |
Othello: An Essay to Illustrate a Method | 244 | |
Othello and Colour Prejudice | 248 | |
Othello's Handkerchief: "The Recognizance and Pledge of Love" | 262 | |
Othello's Occupation: Shakespeare and the Romance of Chivalry | 275 | |
"Nay, That's Not Next": Othello, [5.2] in Performance, 1760-1900 | 289 | |
Unproper Beds: Race, Adultery, and the Hideous in Othello | 306 | |
Othello and Hamlet: Dilation, Spying and the "Secret Place" of Woman | 329 | |
Charivari and the Comedy of Abjection in Othello | 350 | |
"Too Much Violence": Murdering Wives in Othello | 366 | |
Selected Bibliography | 389 |
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