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Preface | ||
Introduction: To Our Student Writers: How to Survive and Prosper in a College Composition Class | 1 | |
Unit 1 | Prejudice: Clarifying and Challenging Biased Attitudes | 15 |
The Nature of Prejudice | 17 | |
The Prioress's Tale | 30 | |
Why Jew-Hatred Is Unique | 38 | |
Haircuts and Paris | 46 | |
A Mourning Letter from Paris | 49 | |
Bradford | 51 | |
Which New Era Would That Be? | 68 | |
Notes of a Native Son | 80 | |
Hold: Separate but Equal (Painting) | 96 | |
Letter from Birmingham Jail | 98 | |
Incident on a Bus | 113 | |
Sex, Class and Race Intersections: Visions of Women of Color | 119 | |
The Liberation of Aunt Jemima (Assembly, mixed media) | 125 | |
Racism and White Women: Keeping Sexism Intact | 127 | |
Sexist Scenes from Office Life | 131 | |
Homophobia in Black Communities | 135 | |
The New Colossus | 142 | |
The Melting Pot | 144 | |
Parable of the Good Samaritan: Luke 10:25-37 (King James Version) | 146 | |
Broad Perspectives on Prejudice | 148 | |
Unit 2 | Personal Relationships: Understanding Love, Sex, and Marriage | 151 |
Aristophanes' Definition of Love | 154 | |
Models and Metaphors: "The Game of Love" | 159 | |
What We Talk About When We Talk About Love | 171 | |
The Woman in Love | 182 | |
Cupid and Psyche | 191 | |
The Mummy (Drawing) | 199 | |
Territory | 202 | |
On the Evil of Lust | 218 | |
Sexuality in Early China | 223 | |
The Sexualized Society | 231 | |
Where the Shadow Is Darkest | 250 | |
The Lovers (Painting) | 253 | |
Lady with Lapdog | 256 | |
Marriage | 271 | |
Driving Each Other Crazy on the Way to Liberation | 279 | |
Decisions in Sexuality: An Act of Impulse, Conscience, or Society? | 297 | |
The AIDS Virus and Sexuality | 309 | |
Broad Perspectives on Personal Relationships | 328 | |
Unit 3 | Free Choice: The Nature of Freedom and Responsibility | 331 |
From Paradise Lost | 334 | |
Existential Choice | 338 | |
Refusal to Despair | 348 | |
In Pursuit of Freedom | 358 | |
Previous Condition | 367 | |
Beetle Bailey (Comic strip) | 380 | |
The Yellow Wallpaper | 383 | |
On Male Liberation | 397 | |
Props and Paint | 402 | |
Beauty: When the Other Dancer Is the Self | 416 | |
Some Conditions of Obedience and Disobedience to Authority | 424 | |
Automaton Conformity | 447 | |
Dr. Brandreth Has Gone to Harvard | 460 | |
I Stand Here Ironing | 478 | |
Migrant Mother (Photograph) | 486 | |
Anatomy of an Illness as Perceived by the Patient | 489 | |
Freedom | 502 | |
Broad Perspectives on Free Choice | 504 | |
Unit 4 | Technology: External Reality and the Human Person | |
A Meaning for "Humanism" | 510 | |
Science and the Sense of the Holy | 520 | |
Song of Myself, Section 44 | 533 | |
The Dynamo and the Virgin (1900) | 536 | |
Pickwick Dam, Tennessee (Photograph) | 546 | |
The Religious Dilemmas of a Scientific Culture: The Interface of Technology, History and Religion | 548 | |
Disappearing Through the Skylight | 562 | |
Milk Drop Coronet 1957 (Photograph) | 568 | |
The Humanness of Physics | 570 | |
Nightmare Number Three | 580 | |
Women in Science: An Analysis of a Social Problem | 584 | |
The Ship Who Sang | 594 | |
The Magic City | 610 | |
Assembling the Model | 618 | |
The Intelligence Transplant | 620 | |
Computative Oak | 629 | |
For a Breath I Tarry | 631 | |
Broad Perspectives on Technology | 660 | |
Crossviews: Interunit Writing Perspectives | 662 | |
Rhetorical Table of Contents | 664 | |
Disciplinary Table of Contents | 671 | |
Glossary | 676 | |
Credits | 681 | |
Index | 686 |
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