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Repertory | ||
Introduction | ||
Pt. 1 | Structural Principles and Compositional Materials of Twentieth-Century Music | |
Ch. 1 | Tonality in Transition | 3 |
Ch. 2 | Harmonic and Motivic Associations and the "Emancipation of Dissonance" | 21 |
Ch. 3 | Triadic Harmony, Diatonic Collections, and Tonality | 43 |
Ch. 4 | Serialism | 61 |
Ch. 5 | Rhythm and Meter | 81 |
Ch. 6 | Orchestration, Tone Color, and Texture | 101 |
Pt. 2 | Music From 1900 to 1945 | |
Ch. 7 | Avant-Garde Composition in Germany and Austria | 123 |
Ch. 8 | Avant-Garde Composition in France and Russia | 163 |
Ch. 9 | Musical Nationalism | 203 |
Ch. 10 | Neoclassicism in France, Germany, and England | 234 |
Ch. 11 | Neoclassicism and Populism in American Music | 266 |
Ch. 12 | Experimental Music in America | 296 |
Pt. 3 | Music From 1945 to The Present | |
Ch. 13 | The Revival of the Avant-Garde | 319 |
Ch. 14 | Indeterminacy | 343 |
Ch. 15 | Electronic Music | 365 |
Ch. 16 | Eclecticism | 383 |
Ch. 17 | Recent Music in Europe and America | 403 |
Index | 425 |
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