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This text offers clear guidance in making music visual. It proposes that performers study the opera's score third line - movement, focus, facial expression and vocal inflections that can be naturally derived from the interaction of text and music - to transform the score into reality on the stage.
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Francisco Horna
reviewed The third line on November 28, 2014
The third line
Joseph Kerman advocates a serious search for dramatic values in Opera in this classic work. Readable and not too technical, at least for the opera lovers, this book discusses the history and theory of opera from Monteverdi to Stravinsky and beyond. I enjoyed his discussion of the impact of Shakespeare on Verdi's opera with a chapter on Otello. The different forms of opera whether neoclassic, singspiel, symphonic or grand are analyzed with useful examples. Kerman knows how to think about music and critic the compositions with elegant style. I enjoyed this excursion into words about the drama of some of the music I love and cherish.
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