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Book Categories |
Introduction : how you can use this book | ||
1 | Words and communication | 1 |
2 | Signs and semiotics | 5 |
3 | When I use a word, Humpty Dumpty said ... | 8 |
4 | Antithetical meaning of words | 11 |
5 | Society precedes the individual | 14 |
6 | Language codes | 17 |
7 | The structuralist perspective | 20 |
8 | Culture and the unconscious | 23 |
9 | The importance of metaphor | 25 |
10 | A model of communication process | 28 |
11 | The Lasswell formula | 31 |
12 | Art and society : a model | 34 |
13 | Dialogic aspects of communication | 37 |
14 | Conversation as narrative | 39 |
15 | Men and women use language differently | 42 |
16 | Black speech | 45 |
17 | People of color and the media | 47 |
18 | Nonverbal communication | 49 |
19 | Facial expressions | 52 |
20 | Fashion as communication | 54 |
21 | Symbolism and religion | 57 |
22 | The meaning of symbols | 60 |
23 | The house as a symbol of femininity | 62 |
24 | Miss America's mythic significance | 65 |
25 | Images of women in advertising | 68 |
26 | The power of advertising in capitalist societies | 71 |
27 | Myths and society | 73 |
28 | Robinson Crusoe as myth | 76 |
29 | Fairy tales and the psyche | 79 |
30 | Hot and cool media | 82 |
31 | The impact of postmodernism | 86 |
32 | The postmodern eye | 89 |
33 | Mind and media | 91 |
34 | Cybertexts and video games | 94 |
35 | Digital media | 97 |
36 | Smart mobs | 100 |
37 | How crowds think | 103 |
38 | Television and art | 106 |
39 | Amusing ourselves to death | 109 |
40 | Narratives in the media | 111 |
41 | Television is a dramatic medium | 114 |
42 | The power of rock music | 117 |
43 | Artistic texts | 120 |
44 | Psychoanalysis and literature | 123 |
45 | Humor and communication | 126 |
46 | On comedy | 129 |
47 | What does art do? | 133 |
48 | Interpretation and art | 136 |
49 | The society of spectacle | 138 |
50 | Representation and difference | 141 |
App | Learning games and activities | 145 |
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