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Book Categories |
1 | Take Care of Your 'Board | 4 |
2 | Get the Height Right | 4 |
3 | Posture Can Cost Ya! | 5 |
4 | The Ideal Sitting Position | 6 |
5 | Standing Room Only | 6 |
6 | Avoid Excessive Movement | 7 |
7 | Notes in High/Low Places | 8 |
8 | Hand Workout | 10 |
9 | Use Forearms for Max Power | 11 |
10 | One-Handed Playing | 11 |
11 | Get Professional Help | 12 |
12 | Motivation's What You Need | 12 |
13 | Choosing a Keyboard | 13 |
14 | Knobs to Neutral | 14 |
15 | Bend Lever Tricks | 15 |
16 | Using Sustain | 15 |
17 | Pedaling and Harmony | 16 |
18 | Pad Attitude | 17 |
19 | Take the Lead | 17 |
20 | Piano Man | 17 |
21 | Organ Donor | 18 |
22 | Bass--How Low Can You Go? | 18 |
23 | Bold As Brass | 19 |
24 | Combining Voices | 19 |
25 | The Mojo Filter | 20 |
26 | Panning | 21 |
27 | Modulation | 22 |
28 | Chorus and Flange | 22 |
29 | The Transpose Button (And Why Not to Use It) | 23 |
30 | Built-In Sequencers | 23 |
31 | Built-In Samplers | 23 |
32 | Detune | 24 |
33 | The Mono Button | 24 |
34 | Legato and Portamento | 25 |
35 | Small Is Beautiful | 25 |
36 | MIDI-Synching With the Band | 26 |
37 | That's Easy for You to Play! | 26 |
38 | Brass With Class | 27 |
39 | Pad Company | 27 |
40 | Take a Break | 28 |
41 | The Classic Line-Up | 28 |
42 | Register Your Presence | 29 |
43 | What Makes a Band Work? | 29 |
44 | Chords Can Be Cool | 30 |
45 | Intelligent Practice | 31 |
46 | Build Your Repertoire | 32 |
47 | A Time-Creation Tip | 32 |
48 | Critical Listening | 33 |
49 | Practice for Success | 33 |
50 | Focusing on the Hard Bit | 34 |
51 | Smooth Chord Changes | 35 |
52 | Don't Fudge Your Fingering | 35 |
53 | Write It Down | 36 |
54 | The Scales to Learn | 36 |
55 | Interval Scales | 37 |
56 | Perfect Pitch | 38 |
57 | Rhythm vs. Bum Notes | 38 |
58 | Intros, Endings, Etc. | 38 |
59 | Two Keyboards Are Better | 39 |
60 | The Practice Environment | 39 |
61 | Tape Your Practice | 39 |
62 | Simplifying | 40 |
63 | Overpracticing | 40 |
64 | Faster, Faster! | 40 |
65 | Playing Over Distractions | 41 |
66 | Busking | 41 |
67 | Sing! | 41 |
68 | Practicing--Don't Despair! | 42 |
69 | Learn the Chords | 42 |
70 | Chord Inversions | 43 |
71 | Improvise with Arpeggios | 44 |
72 | Transposition Made Easy | 46 |
73 | Repeat Ad Lib | 46 |
74 | Know Your Enemy | 47 |
75 | Groove-Based Songs | 47 |
76 | Chord-Based Songs | 48 |
77 | Melody-Based Songs | 49 |
78 | What's Your Style? | 49 |
79 | Call and Response | 52 |
80 | Sing the Solo | 52 |
81 | Basic Rock Sequences | 53 |
82 | Reading Dense Music | 55 |
83 | Learn the Standards | 55 |
84 | Structuring Your Solo | 56 |
85 | Keyboard Amps | 56 |
86 | Keyboard Stands | 57 |
87 | Take a Seat | 57 |
88 | Pedal to the Metal | 58 |
89 | Choosing Cables | 58 |
90 | Converting to Unbalanced | 59 |
91 | Storing Cables | 59 |
92 | Flight Cases | 60 |
93 | Keyboard First-Aid Kit | 60 |
94 | Eye Contact | 61 |
95 | Worst-Case Scenario | 61 |
96 | Don't Fear Failure | 61 |
97 | It's Not You Up There | 62 |
98 | Empty Minds | 62 |
99 | Efficient Soundchecks | 62 |
100 | The Virtuoso Performance | 63 |
101 | The Post-Gig Analysis | 63 |
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