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Introduction | 1 | |
Responding to the French Revolution: Williams's Julia and Burney's The Wanderer | 5 | |
Having Her Cake and Eating, Too: Ambivalence, Popularity, and the Psychosocial Implications of Ann Radcliffe's Fiction | 19 | |
The Preceptor as Fiend: Radcliffe's Psychology of the Gothic | 31 | |
The Treatment of Women in the Novels of Charlotte Turner Smith | 45 | |
Jane Austin's Opacities | 53 | |
Susan Ferrier's Allusions: Comedy, Morality, and the Presence of Milton | 61 | |
The Limits of Liberal Feminism in Maria Edgeworth's Belinda | 73 | |
A Reading of Maria Edgeworth's Castle Rackrent | 83 | |
Mary Wollestonecraft and Mary Shelley: Ideological Affinities | 97 | |
The Alienation of Family in Mary Shelley's Frankenstein | 109 | |
Mary Shelley, Shakespeare, and the Romantic Theatre | 121 | |
Mary Shelley and the Romance of Science | 135 | |
The Uses of Adventure: The Moral and Evangelical Robinsonnades of Agnes Strickland, Barbara Hofland and Ann Fraser Tytler | 147 | |
Representative Chronology of English Novels by Women of the Romantic Period | 159 | |
Selected Bibliography | 169 | |
Index | 171 | |
About the Contributors | 175 |
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