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Introduction: Giving the Living Dead Their Due Marc Leverette Shawn McIntosh vii
The Evolution of the Zombie: The Monster That Keeps Coming Back Shawn McIntosh 1
The Folklore of the Zombie Film Mikel J. Koven 19
Zombie Splatter Comedy from Dawn to Shaun: Cannibal Carnivalesque Linda Badley 35
Vita, Amore, e Morte-and Lots of Gore: The Italian Zombie Film Brad O'Brien 55
The Space of Apocalypse in Zombie Cinema David Pagano 71
Zombies without Organs: Gender, Flesh, and Fissure Patricia MacCormack 87
Cannibalizing Gender and Genre: A Feminist Re-Vision of George Romero's Zombie Films Natasha Patterson 103
Hybridity and Post-Human Anxiety in 28 Days Later Martin Rogers 119
Can't Sleep When You're Dead: Sex, Drugs, Rock and Roll, and the Undead in Psychobilly Annelise Sklar 135
Zombies in Gamespace: Form, Context, and Meaning in Zombie-Based Video Games Tanya Krzywinska 153
"Now I'm Feeling Zombified": Playing the Zombie Online Ron Scott 169
The Funk of Forty Thousand Years; or, How the (Un)Dead Get Their Groove On Marc Leverette 185
Filmography 213
Bibliography 219
Index 233
About the Contributors 239
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Add Zombie Culture: Autopsies of the Living Dead, Why have zombies resonated so pervasively in the popular imagination and in media, especially films? Why have they proved to be one of the most versatile and popular monster types in the growing video game industry? What makes zombies such widespread symb, Zombie Culture: Autopsies of the Living Dead to the inventory that you are selling on WonderClubX
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Add Zombie Culture: Autopsies of the Living Dead, Why have zombies resonated so pervasively in the popular imagination and in media, especially films? Why have they proved to be one of the most versatile and popular monster types in the growing video game industry? What makes zombies such widespread symb, Zombie Culture: Autopsies of the Living Dead to your collection on WonderClub |