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Preface | ||
With Auden | 3 | |
Remembering Pound | 13 | |
Ralph Ellison | 23 | |
Studs: WFMT, April 7, 1995 | 28 | |
A Very Few Memories of Don Justice | 42 | |
The Venetian Sculptress | 47 | |
Ray West and the Iowa Writers' Workshop | 52 | |
My Ex, the Moral Philosopher | 57 | |
Where the Chips Fall | 67 | |
Wimbledon, 1992 | 72 | |
James, the Traveler | 85 | |
Going and Coming: On Celati's Adventures in Africa | 88 | |
An Indiana Library | 92 | |
My Chicago | 93 | |
The Chicago Writer's City | 96 | |
Books and Chicago, Chicago and Books | 106 | |
A Glance at Bellow in Chicago, 1993 | 110 | |
Chicago, in the Depths of Feeling | 115 | |
Over the Hill | 125 | |
On Atlas on Bellow | 129 | |
Bertrand Russell | 136 | |
Misunderstanding Carnap | 139 | |
W. C. Fields | 140 | |
Hannah Arendt and Martin Heidegger | 143 | |
Jung | 147 | |
The Outsider Inside | 151 | |
Benjamin's Way | 155 | |
Almonds | 159 | |
Warriors of the Open, 1996 | 183 | |
Tears, Idle Tears, I Now Know What They Mean | 187 | |
King of a Rainy Country | 190 | |
Logging Expiation | 193 | |
Montaigne in Illinois | 195 | |
Ozick on Kafka, Frank, and Ozick | 198 | |
Jane Jacobs's Ideas | 201 | |
Our Regenstein | 205 | |
Chipping at the Schools | 207 | |
From Van Meegeren to Van Blederen | 211 | |
Dark Energy, Dark Matter, and the Waves of Genesis | 213 | |
Eliminating the National Debt | 217 | |
His Good Name | 219 | |
Letter to the Editor, New York Times | 222 | |
To Go with an Old Necklace | 223 | |
Statement for the Meeting of the University of Chicago Senate on April 29, 1986 | 224 | |
A Few Words from Someone Who's Written a Few Too Many | 226 | |
A Few Things American Fiction Says | 231 | |
Malamud's Stories | 242 | |
His Other Life | 245 | |
Austin Wright | 248 | |
Vidal in Conclusion | 250 | |
Updike's Brushstroke | 254 | |
Fictionally De-Cubaed | 258 | |
Rupert Thompson | 261 | |
Call It Recall | 264 | |
Killing Chic | 267 | |
For John Wallace | 273 | |
The Ones Who Do Things for Us | 279 | |
Edward Levi | 281 | |
Arthur Heiserman | 285 | |
Imre Horner | 288 | |
Misremembering Montale | 291 | |
Words about Hugh | 292 | |
For Ernest Sirluck | 294 | |
For Leon Forrest | 296 | |
An Old Writer Looks at Himself | 299 | |
Monologue | 310 | |
Acknowledgments | 317 |
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![]() Add What Is What Was, What Is What Was, Richard Stern's fifth orderly miscellany, is the first to meaningfully combine his fiction and nonfiction. Stories, such as the already well-known My Ex, the Moral Philosopher, appear among portraits (of the sort Hugh Kenner p, What Is What Was to the inventory that you are selling on WonderClubX
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![]() Add What Is What Was, What Is What Was, Richard Stern's fifth orderly miscellany, is the first to meaningfully combine his fiction and nonfiction. Stories, such as the already well-known My Ex, the Moral Philosopher, appear among portraits (of the sort Hugh Kenner p, What Is What Was to your collection on WonderClub |