Weeping Underwater Looks a Lot Like Laughter Book

A smart, darkly funny, yet poignant debut novel about coming of age without coming undone. Seventeen-year-old George Flynn-an all-around decent guy-has just moved with his family to Des Moines, a place where he knows no one and is pretty much nobody. Despite this inauspicious start to his junior year, he soon finds his niche, falling in with the unique, enchant­ing Schell sisters. Emily, an aspiring actress and free spirit, becomes the object of George's mostly unrequited yearnings. But it's Katie, with her quirks, her scathing deadpan humor, and her brave battle with multiple sclerosis, who really gets George hooked on the Schells. When an out- of-the-blue trag­edy strikes, upsetting the delicate balance of all their lives, George must figure out a way to help Emily in order to save himself. Told with both razor-sharp wit and deep empathy from George's later adult perspective, this is a moving, memorable debut novel about friendship and first love-about dealing with grief and trying to grow up without losing yourself along the way.

Publishers Weekly

The title of White’s first novel says little about the story found within, but much about the heavily stylized narrative. High school junior George Flynn, newly transplanted to Des Moines, Iowa, spends his first night in town in a hotel while a murder takes place on the floor below his family’s room. This adds a slight edge to the regular stress of being the new kid at school, but George soon falls into familiar coming-of-age patterns, becoming infatuated with Emily Schell, the school’s leading actress, and befriending Emily’s caustic, multiple sclerosis–afflicted younger sister, Katie. By navigating Katie’s nascent crush and the slippery territory of “friendship” with Emily, George quickly discovers how he fits in Des Moines, but a tragic accident unravels his new life even as it may be leading him down the path to love. White is at his best when his characters churn through unanswered and unanswerable questions, such as the hotel murder and the events that propel the novel’s second half. Conversely, the author stumbles on the details of George’s adult life, while young George and Emily’s adventures feel constructed and artificial, as if the story’s main goal is to appear clever. (Feb.)