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| List of Illustrations | ||
| Preface | ||
| Ch. 1 | Anatomy of a Literary Scandal: Mykhail' Semenko and the Origins of Ukrainian Futurism | 3 |
| The Scandal | 5 | |
| Futurism and the Ukrainian Modernist Context | 10 | |
| Modernism vs. Futurism | 19 | |
| Ch. 2 | The Lean Years, 1914-1921 | 29 |
| Ch. 3 | Aspanfut: The Association of Panfuturists | 55 |
| Ch. 4 | AsKK: Futurists among the Masses | 83 |
| Ch. 5 | The New Generation | 103 |
| Bumeranh | 109 | |
| Cadres | 116 | |
| Platform and Program | 120 | |
| First Metamorphosis: VUARKK | 124 | |
| Polemics with the Russians | 134 | |
| Polemics with the "Right" | 140 | |
| OPPU: Final Metamorphosis and the End of a Movement | 162 | |
| Ch. 6 | Panfuturism: Blueprint for the Avant-Garde | 181 |
| Art as a Process | 182 | |
| Towards the Liquidation of Art | 184 | |
| The Theory of Cults | 187 | |
| Ideology and Facture | 190 | |
| Defining "Communist" Culture | 193 | |
| Beyond "Great Art" | 197 | |
| Exstruction: A Compromise with the Age of Transition | 201 | |
| Functionalism | 203 | |
| Ch. 7 | Aesthetics and Poetics | 207 |
| Ch. 8 | The Poetry | 219 |
| Mykhail' Semenko | 219 | |
| Geo Shkurupii | 262 | |
| Oleksa Slisarenko | 281 | |
| Iuliian Shpol | 287 | |
| Ch. 9 | The Prose | 291 |
| Introduction | 291 | |
| Geo Shkurupii | 293 | |
| Oleksa Slisarenko | 303 | |
| Dmytro Buz'ko | 310 | |
| Leonid Skrypnyk | 316 | |
| Ch. 10 | Visual Experiments in Poetry and Prose | 323 |
| Conclusions | 335 | |
| Abbreviations | 349 | |
| References | 351 | |
| Index | 395 |
| Price | Condition | Delivery | Seller | Action |
| $199.99 | Digital |
| WonderClub |
Joe Clem
reviewed Ukrainian Futurism, 1914-1930: A Historical and Critical Study on January 15, 2013 Ukrainian Futurism, 1914-1930: A Historical and Critical Study
Rowlands does for the saga poems what Bromwich did for the Welsh Triads and Jackson did with 'Y Gododdin'. A remarkable study of the poetry, including a competent overview of their origins and development. Of course she does not do the phenomenal research Bromwich did in finding every other mention of each character followed by an essay on them, but the work she does do is solid and highly useful for the professional scholar. Apparently it is readable to the enthusiast as well.
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