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Vancouver's New Play Centre led the way in developing and producing the work of playwrights from Western Canada for the emergent Canadian theatre in the 1970s. The New Play Centre has been a major force in Canadian cultural life for two decades; it retains its dual role as playwrighting workshop and production company and remains an important facility for dramatists to reach national and international audiences.
To mark the New Play Centre's twentieth year, Talonbooks presents a collection of eight of the finest plays produced by the company from 1975 to 1989: Herringbone by Tom Cone; Ned and Jack by Sheldon Rosen; Something Red by Tom Walmsley; Dreaming and Duelling by John Lazarus and Joa Lazarus; War Babies by Margaret Hollingsworth; Under the Skin by Betty Lambert; The Idler by Ian Weir; and The Wolf Within by Alex Brown. All of these plays have been produced throughout Canada, and often abroad, and remain in active production today. Each script appears in its most current form, with the playwright's latest revisions, along with biographical and production data and photos.
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Patrick Crosby
reviewed Twenty Years at Play: A New Play Centre Anthology on April 25, 2012
Twenty Years at Play: A New Play Centre Anthology
Walker is one of my favorite living playwrights. Despite the crude violence and language that is sprinkled throughout, his work elevates humor to its darkest and most insightful level. "The East End Plays: Pts. 1 & 2" together represent some of his most potent writing. Watching petty criminals orbit each other in cheap hotel rooms lays bare the futility of human endeavor in the most hilarious way. You'll spend half your time trying to diagnose the mental proclivities of the characters, and the other half laughing at the ridiculous tactics they try to get out of the messes they create. His words jump off the page, alive in your mind as if the show were being staged somewhere in your frontal cortex. Honestly, these plays are downright funny - not because they mock the mental health of their characters, but because they represent mental issues accurately as leading to real-world dilemmas that we can all relate to. The fact they effectively carry deeper messages about habit, routine and mental health demonstrates Walker's strengths as a storyteller.
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