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An O'Connor chronology | ||
Flannery O'Connor : the growth of a literary reputation | 1 | |
Pt. 1 | Contemporary responses : 1952-64 | |
Southern dissonance | 19 | |
A case of possession | 20 | |
To win by default | 21 | |
Outraged or embarrassed | 23 | |
Such nice people | 24 | |
That region | 25 | |
Flannery O'Connor's wise blood | 29 | |
Flannery O'Connor : a note on literary fashions (1958) | 35 | |
View from a rock : the fiction of Flannery O'Connor and J. F. Powers (1958) | 38 | |
God-intoxicated hillbillies | 45 | |
A vision deep and narrow | 46 | |
Two up for America | 48 | |
The redemptive tradition of Southern rural life | 48 | |
The outside and the inside : Flannery O'Connor's The violent bear it away | 50 | |
Flannery O'Connor's devil | 57 | |
Flannery O'Connor's view of God and man | 64 | |
Pt. 2 | Posthumous responses : 1964-89 | |
Flannery O'Connor : a prose elegy | 71 | |
The test by fire : Flannery O'Connor | 74 | |
Of ultimate things | 88 | |
The top is a new bottom | 90 | |
Everything that rises must converge | 91 | |
Flannery O'Connor | 92 | |
Flannery O'Connor : Christian allegorist | 103 | |
The paradigm of Flannery O'Connor's true country | 111 | |
On Flannery O'Connor | 119 | |
Flannery O'Connor | 122 | |
The evolution of Wise blood | 125 | |
Growing up : The violent bear it away | 137 | |
"Convergence" in Flannery O'Connor's "Everything that rises must converge" | 142 | |
The Christian humanism of Flannery O'Connor | 147 | |
Flannery O'Connor and the demonic | 154 | |
The Protestantism of Flannery O'Connor | 161 | |
The parables of Flannery O'Connor | 175 | |
The habit of being | 179 | |
Flannery O'Connor : letters larger than life | 185 | |
The double in Flannery O'Connor's stories | 191 | |
The prison of the self : isolation in Flannery O'Connor's fiction | 212 | |
Home to her true country : the final trilogy of Flannery O'Connor | 218 | |
The eye vs. the body : individual and communal grotesquerie in Wise blood | 223 | |
O'Connor's sacred landscapes | 229 | |
Wise blood : the rain of history | 239 | |
After the canonization : Flannery O'Connor revisited | 249 | |
The critics bear it away | 253 | |
Pt. 3 | New directions in criticism : 1990-2001 | |
"The artificial nigger" : a dialogic reading | 257 | |
The being of illness : the language of being ill | 268 | |
Literary lessons : the male gaze, the figure woman | 287 | |
Blinded by whiteness : revisiting Flannery O'Connor and race | 296 |
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Add The Critical Response to Flannery O'Connor (Critical Responses in Arts and Letters Series # 43), As the author of such classic American short stories as A Good Man Is Hard to Find, Everything That Rises Must Converge, and Revelation, Flannery O'Connor has always been recognized as a distinctive voice in American literature. A devoutly Catholic, South, The Critical Response to Flannery O'Connor (Critical Responses in Arts and Letters Series # 43) to the inventory that you are selling on WonderClubX
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Add The Critical Response to Flannery O'Connor (Critical Responses in Arts and Letters Series # 43), As the author of such classic American short stories as A Good Man Is Hard to Find, Everything That Rises Must Converge, and Revelation, Flannery O'Connor has always been recognized as a distinctive voice in American literature. A devoutly Catholic, South, The Critical Response to Flannery O'Connor (Critical Responses in Arts and Letters Series # 43) to your collection on WonderClub |